File "hart by house.xm"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
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Loading modland.com/pub/modules/Fasttracker 2/Sybaris/hart by house.xm (1 of 1)
Module name : Hart By House (Syb)
Module type : FastTracker v2.00 XM 1.04
Module length: 69 patterns
Patterns : 61
Instruments : 128
Samples : 35
Channels : 18 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 6min20s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 40 0100 A-P 02 [01] 40 40 +000 +00 P80 00
[02] 40 40 +000 +00 P80 01
02 ... Hart By House ... 40 0100 A-P 02 [01] 40 40 +000 +00 P80 02
[02] 40 40 +000 +00 P80 03
03 40 0100 A-P 02 [01] 40 40 +000 +00 P80 04
[02] 40 40 +000 +36 P80 05
04 ... (C) by Sybaris. 40 0100 A-P 02 [01] 40 40 +000 +00 P80 06
[02] 40 40 +000 +60 P80 07
05 40 0100 A-P 01 [01] 40 40 +000 +00 P80 08
06 -Jan-25th-1996- 40 0100 A-P 02 [01] 40 40 +000 +00 P80 09
[02] 40 40 +000 +07 P80 0a
07 apt6'25"... 40 0100 --P 01 [01] 40 40 +000 -12 P80 0b
08 40 0100 A-- 01 [01] 40 00 +000 +02 P00 0c
09 40 0100 A-P 01 [01] 40 40 +070 +00 P80 0d
0a Sample Creditz are 40 0100 A-P 01 [01] 40 40 +070 +00 P80 0e
0b in the sampletexts. 40 0100 A-P 01 [01] 40 40 +070 +00 P80 0f
0c Indicated whenever 40 0100 A-P 01 [01] 40 40 +055 +00 P80 10
0d sources known. 40 0100 A-P 01 [01] 40 40 +070 +00 P80 11
0e Samples are (C)opy- 40 0100 A-- 01 [01] 40 00 +000 -06 P00 12
0f right of respective 40 0100 A-- 01 [01] 40 00 +000 +00 P00 13
10 owners. 40 0100 A-- 01 [01] 40 00 +000 +00 P00 14
11 40 0100 A-P 01 [01] 40 40 +040 +00 P80 15
12 Nuff respect to all 40 0100 A-P 01 [01] 40 28 -060 +00 P80 16
13 who can appreciate 40 020a A-P 01 [01] 40 18 -085 +04 P70 17
14 the difficulty of 40 0100 A-- 01 [01] 40 00 +000 +02 P00 18
15 making atmospheric 40 0100 A-P 01 [01] 40 40 -060 +04 P80 19
16 music on the PC. 40 0100 A-- 01 [01] 40 00 +000 +03 P00 1a
17 This, anyways, is my 40 0000 --- 00 [ ] -- -- ---- --- --- --
18 best shot. 40 0000 --- 00 [ ] -- -- ---- --- --- --
19 40 0142 A-P 01 [01] 40 30 -030 -02 P77 1b
1a I really had a bit 40 0140 A-P 01 [01] 40 38 -030 -02 P72 1c
1b of fun with this one 40 014a A-P 01 [01] 40 34 -030 -02 P72 1d
1c much more so than 40 0144 A-P 01 [01] 40 30 -030 -02 P7d 1e
1d w/my other pieces. 40 01a4 A-P 01 [01] 40 2c -030 -02 P5c 1f
1e I guess you could 40 023e A-P 01 [01] 40 28 -030 -02 Pa3 20
1f describe most of 40 02a6 A-P 01 [01] 40 24 -030 -02 P77 21
20 this as trance/hard- 40 0330 A-P 01 [01] 40 20 -030 -02 P80 22
21 trance/goa -that is, 40 0000 --- 00 [ ] -- -- ---- --- --- --
22 had I drawn out the 40 0000 --- 00 [ ] -- -- ---- --- --- --
23 individual parts of 40 0000 --- 00 [ ] -- -- ---- --- --- --
24 the song a little 40 0000 --- 00 [ ] -- -- ---- --- --- --
25 longer to create the 40 0000 --- 00 [ ] -- -- ---- --- --- --
26 spacy trance effect. 40 0000 --- 00 [ ] -- -- ---- --- --- --
27 And somehow, I al- 40 0000 --- 00 [ ] -- -- ---- --- --- --
28 ways seem to end up 40 0000 --- 00 [ ] -- -- ---- --- --- --
29 doing that: switchin 40 0000 --- 00 [ ] -- -- ---- --- --- --
2a musical themes way 40 0000 --- 00 [ ] -- -- ---- --- --- --
2b too quickly. I guess 40 0000 --- 00 [ ] -- -- ---- --- --- --
2c that's probably just 40 0000 --- 00 [ ] -- -- ---- --- --- --
2d remnant of my old 40 0000 --- 00 [ ] -- -- ---- --- --- --
2e demo days, when PC 40 0000 --- 00 [ ] -- -- ---- --- --- --
2f music really wasn't 40 0000 --- 00 [ ] -- -- ---- --- --- --
30 designed to be 40 0000 --- 00 [ ] -- -- ---- --- --- --
31 listened to, but 40 0000 --- 00 [ ] -- -- ---- --- --- --
32 rather to impress 40 0000 --- 00 [ ] -- -- ---- --- --- --
33 people. Oh well, sue 40 0000 --- 00 [ ] -- -- ---- --- --- --
34 me... I like what I 40 0000 --- 00 [ ] -- -- ---- --- --- --
35 do. 40 0000 --- 00 [ ] -- -- ---- --- --- --
37 Greetings go to all 40 0000 --- 00 [ ] -- -- ---- --- --- --
38 people who share my 40 0000 --- 00 [ ] -- -- ---- --- --- --
39 my musical vision... 40 0000 --- 00 [ ] -- -- ---- --- --- --
3a as soon as I find 40 0000 --- 00 [ ] -- -- ---- --- --- --
3b out what it is, I'll 40 0000 --- 00 [ ] -- -- ---- --- --- --
3c let you know... but 40 0000 --- 00 [ ] -- -- ---- --- --- --
3d grtz 2 u, anyways. 40 0000 --- 00 [ ] -- -- ---- --- --- --
3f Subhuman: Get off 40 0000 --- 00 [ ] -- -- ---- --- --- --
40 your ass and track! 40 0000 --- 00 [ ] -- -- ---- --- --- --
42 Basehead: It's in 40 0000 --- 00 [ ] -- -- ---- --- --- --
43 the mail, promise! 40 0000 --- 00 [ ] -- -- ---- --- --- --
45 Keith3o3: Still one 40 0000 --- 00 [ ] -- -- ---- --- --- --
46 da most interesting 40 0000 --- 00 [ ] -- -- ---- --- --- --
47 trackers today... 40 0000 --- 00 [ ] -- -- ---- --- --- --
49 Cosmic: All bow down 40 0000 --- 00 [ ] -- -- ---- --- --- --
4a to the master of 40 0000 --- 00 [ ] -- -- ---- --- --- --
4b sampling... 40 0000 --- 00 [ ] -- -- ---- --- --- --
4d #trax: A scene in 40 0000 --- 00 [ ] -- -- ---- --- --- --
4e itself, isn't it? 40 0000 --- 00 [ ] -- -- ---- --- --- --
4f I just hope that 40 0000 --- 00 [ ] -- -- ---- --- --- --
50 someday people will 40 0000 --- 00 [ ] -- -- ---- --- --- --
51 actually stop 40 0000 --- 00 [ ] -- -- ---- --- --- --
52 talking about each 40 0000 --- 00 [ ] -- -- ---- --- --- --
53 other, or nothing 40 0000 --- 00 [ ] -- -- ---- --- --- --
54 at all... and start 40 0000 --- 00 [ ] -- -- ---- --- --- --
55 concentrating on 40 0000 --- 00 [ ] -- -- ---- --- --- --
56 the tracking some 40 0000 --- 00 [ ] -- -- ---- --- --- --
57 more. 'Nuff said. 40 0000 --- 00 [ ] -- -- ---- --- --- --
80 -012596:625:O&O- 40 0000 --- 00 [ ] -- -- ---- --- --- --

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