File "y.o.u. (your own universe) (16 bit).xm"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
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Loading modland.com/pub/modules/Fasttracker 2/Breakthru/y.o.u. (your own universe) (16 bit).xm (1 of 1)
Module name : y.o.u.
Module type : FastTracker v2.00 XM 1.04
Module length: 86 patterns
Patterns : 81
Instruments : 115
Samples : 35
Channels : 32 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 6min35s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 y.o.u. 40 0100 --- 01 [01] 40 40 -028 +18 Pff 00
02 (your own universe) 40 0100 --- 01 [01] 40 40 -028 +17 P67 01
03 40 0100 --- 01 [01] 40 40 -028 +17 P9d 02
04 26th June 1999 40 0100 --P 01 [01] 40 40 -028 +17 P4c 03
05 24th July 1999 40 0100 --- 01 [01] 40 40 -028 +17 Pb3 04
06 40 0100 A-- 01 [01] 40 40 -028 +17 P70 05
07 40 0100 --- 01 [01] 40 40 -028 +17 P80 06
08 40 0100 A-- 01 [01] 40 40 -028 +17 P90 07
09 by .breakthru.. 40 0100 --- 01 [01] 40 40 -028 +17 P80 08
0a breakthru@fcmail.com 40 0100 --- 01 [01] 40 40 -028 +17 Pff 09
0b 40 0100 --- 01 [01] 40 40 -028 +17 P80 0a
0c of 40 0100 A-P 01 [01] 40 40 -028 +18 P80 0b
0d Advanced 40 0100 A-- 01 [01] 40 40 -028 +17 P80 0c
0e Rhythm 40 0100 A-- 01 [01] 40 40 -028 +17 P80 0d
0f Technologies 40 0000 --P 03 [01] 40 40 -005 +43 P7f 0e
[02] 40 40 -005 +19 P7f 0f
10 (art-music.org) 40 08da A-P 01 [01] 40 40 -022 +05 P80 11
11 visit my homepage: 40 0100 A-P 01 [01] 40 40 -028 +17 P80 12
12 listen.to/breakthru 40 0ae4 A-- 01 [01] 40 33 -015 +04 P80 13
13 40 08da A-- 01 [01] 40 40 -028 +17 P80 14
14 Hi again! 40 0100 A-- 01 [01] 40 40 +000 +00 P80 15
15 First decent release 40 082c A-- 01 [01] 40 40 -018 +41 P80 16
16 since Checksum Error 40 02ba A-- 01 [01] 40 40 +008 +29 P80 17
17 40 0572 A-P 03 [01] 40 40 -028 +05 P80 18
18 Critics are welcome. 40 0988 A-- 01 [01] 40 40 -028 +17 P80 1b
19 The comment of the 40 0000 --- 00 [ ] -- -- ---- --- --- --
1a day :) 40 0000 --- 00 [ ] -- -- ---- --- --- --
1c "Expensive hardware, 40 0000 --- 00 [ ] -- -- ---- --- --- --
1d 16bit 44khz samples 40 0000 --- 00 [ ] -- -- ---- --- --- --
1e make me feel like 40 0000 --- 00 [ ] -- -- ---- --- --- --
1f they're only details 40 0000 --- 00 [ ] -- -- ---- --- --- --
20 in tracked music. 40 0000 --- 00 [ ] -- -- ---- --- --- --
21 I've had lots of 40 0100 A-P 01 [01] 40 40 -028 +17 P80 1c
22 samples and always 40 02ba A-P 01 [01] 40 40 +002 +41 P80 1d
23 that they were 40 0100 A-- 01 [01] 40 40 -028 +18 Pff 1e
24 responsible of the 40 0100 A-- 01 [01] 40 40 -028 +18 Pff 1f
25 low sound quality 40 0100 A-- 01 [01] 40 40 -028 +18 Pff 20
26 of my mods but the 40 0000 --- 01 [01] 40 30 +000 +00 P80 21
27 truth is that it 40 0000 --- 00 [ ] -- -- ---- --- --- --
28 wasn't the samples'. 40 0000 --- 00 [ ] -- -- ---- --- --- --
29 There are samples 40 0100 --- 01 [01] 40 00 +000 +00 P00 22
2a I used in 97,98,99 40 0000 --- 00 [ ] -- -- ---- --- --- --
2b and in every year 40 0000 --- 00 [ ] -- -- ---- --- --- --
2c they didn't sound 40 0000 --- 00 [ ] -- -- ---- --- --- --
2d the same. I think 40 0000 --- 00 [ ] -- -- ---- --- --- --
2e that technic is the 40 0000 --- 00 [ ] -- -- ---- --- --- --
2f most important thing 40 0000 --- 00 [ ] -- -- ---- --- --- --
30 to have a good 40 0000 --- 00 [ ] -- -- ---- --- --- --
31 sound quality when 40 0000 --- 00 [ ] -- -- ---- --- --- --
32 it come to tracking. 40 0000 --- 00 [ ] -- -- ---- --- --- --
33 I didn't notice it 40 0000 --- 00 [ ] -- -- ---- --- --- --
34 at first but volume 40 0000 --- 00 [ ] -- -- ---- --- --- --
35 mixing and panning 40 0000 --- 00 [ ] -- -- ---- --- --- --
36 can make a song 40 0000 --- 00 [ ] -- -- ---- --- --- --
37 a good song or a 40 0000 --- 00 [ ] -- -- ---- --- --- --
38 bad song. For 40 0000 --- 00 [ ] -- -- ---- --- --- --
39 example try to 40 0000 --- 00 [ ] -- -- ---- --- --- --
3a compete in an 1hour 40 0000 --- 00 [ ] -- -- ---- --- --- --
3b compo. Sometimes 40 0000 --- 00 [ ] -- -- ---- --- --- --
3c the sample pack 40 0000 --- 00 [ ] -- -- ---- --- --- --
3d samples are over 40 0000 --- 00 [ ] -- -- ---- --- --- --
3e 7 years and seem 40 0000 --- 00 [ ] -- -- ---- --- --- --
3f to sound very bad. 40 0000 --- 00 [ ] -- -- ---- --- --- --
40 This happened to 40 0000 --- 00 [ ] -- -- ---- --- --- --
41 to me in my first 1h 40 0000 --- 00 [ ] -- -- ---- --- --- --
42 compo... And I was 40 0000 --- 00 [ ] -- -- ---- --- --- --
43 amazed how the 40 0000 --- 00 [ ] -- -- ---- --- --- --
44 other trackers used 40 0000 --- 00 [ ] -- -- ---- --- --- --
45 to make them sound 40 0000 --- 00 [ ] -- -- ---- --- --- --
46 different from the 40 0000 --- 00 [ ] -- -- ---- --- --- --
47 awful sound they are 40 0000 --- 00 [ ] -- -- ---- --- --- --
48 Why am I saying this 40 0000 --- 00 [ ] -- -- ---- --- --- --
49 after all everyone 40 0000 --- 00 [ ] -- -- ---- --- --- --
4a knows about this, 40 0000 --- 00 [ ] -- -- ---- --- --- --
4b no? I though I knew 40 0000 --- 00 [ ] -- -- ---- --- --- --
4c it already..." 40 0000 --- 00 [ ] -- -- ---- --- --- --
4e About compos... 40 0000 --- 00 [ ] -- -- ---- --- --- --
4f If you read what was 40 0000 --- 00 [ ] -- -- ---- --- --- --
50 written in "Under 40 0000 --- 00 [ ] -- -- ---- --- --- --
51 Another Sky" you 40 0000 --- 00 [ ] -- -- ---- --- --- --
52 might have noticed 40 0000 --- 00 [ ] -- -- ---- --- --- --
53 that I don't like many 40 0000 --- 00 [ ] -- -- ---- --- --- --
54 net compos. I thought 40 0000 --- 00 [ ] -- -- ---- --- --- --
55 I had seen the most 40 0000 --- 00 [ ] -- -- ---- --- --- --
56 unfair (now closed) 40 0000 --- 00 [ ] -- -- ---- --- --- --
57 but it seems that 40 0000 --- 00 [ ] -- -- ---- --- --- --
58 there is worse! Many 40 0000 --- 00 [ ] -- -- ---- --- --- --
59 competitors enter it 40 0000 --- 00 [ ] -- -- ---- --- --- --
5a but I think it is one 40 0000 --- 00 [ ] -- -- ---- --- --- --
5b of the worst ever. 40 0000 --- 00 [ ] -- -- ---- --- --- --
5c The judge(s?) probably 40 0000 --- 00 [ ] -- -- ---- --- --- --
5d do(es)n't know what 40 0000 --- 00 [ ] -- -- ---- --- --- --
5e he/they're doing... 40 0000 --- 00 [ ] -- -- ---- --- --- --
5f The first thing I've 40 0000 --- 00 [ ] -- -- ---- --- --- --
60 noticed is that they 40 0000 --- 00 [ ] -- -- ---- --- --- --
61 tend to mix up things 40 0000 --- 00 [ ] -- -- ---- --- --- --
62 so that the "skill" 40 0000 --- 00 [ ] -- -- ---- --- --- --
63 rating seems to be 40 0000 --- 00 [ ] -- -- ---- --- --- --
64 a "commercial factor" 40 0000 --- 00 [ ] -- -- ---- --- --- --
65 ... 40 0000 --- 00 [ ] -- -- ---- --- --- --
66 I don't care much 40 0000 --- 00 [ ] -- -- ---- --- --- --
67 about it but it is 40 0000 --- 00 [ ] -- -- ---- --- --- --
68 not a good thing for 40 0000 --- 00 [ ] -- -- ---- --- --- --
69 the (scene) musicians 40 0000 --- 00 [ ] -- -- ---- --- --- --
6a who enter this kind 40 0000 --- 00 [ ] -- -- ---- --- --- --
6b of compo. 40 0000 --- 00 [ ] -- -- ---- --- --- --
6d Well it seem that 40 0000 --- 00 [ ] -- -- ---- --- --- --
6e I've written lots of 40 0000 --- 00 [ ] -- -- ---- --- --- --
6f useless stuff as ever. 40 0000 --- 00 [ ] -- -- ---- --- --- --
70 .stop. 40 0000 --- 00 [ ] -- -- ---- --- --- --
72 oops, i lied for the 40 0000 --- 00 [ ] -- -- ---- --- --- --
73 stop... :) 40 0000 --- 00 [ ] -- -- ---- --- --- --

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