File "amerika.xm"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
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Loading modland.com/pub/modules/Fasttracker 2/Saint Vitus/amerika.xm (1 of 1)
Module name : 100% Pure Amerika
Module type : FastTracker v2.00 XM 1.04
Module length: 28 patterns
Patterns : 18
Instruments : 94
Samples : 66
Channels : 16 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 4min57s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 "100% Pure Amerika" 40 0100 A-P 02 [01] 40 40 +000 -01 P80 00
02 - by- 40 0100 A-P 05 [01] 40 40 +000 -01 P80 02
03 $aint Vitu$ 40 0100 A-- 04 [01] 40 40 +000 -01 P80 07
04 40 0100 A-P 05 [01] 40 40 +000 -01 P80 0b
05 Instructions: Play me 40 0100 A-- 04 [01] 40 40 +000 -05 P80 10
06 really loud . Ponder. 40 0100 A-P 05 [01] 40 40 +000 -01 P80 14
07 Repeat. :) 40 0100 A-- 05 [01] 40 40 +000 -02 P80 19
09 Amerika is too damn 40 0000 A-- 02 [01] 40 40 +000 +00 P80 1e
0a big. Government looms 40 0000 A-- 03 [01] 40 40 +000 +00 P80 20
0b like an iron colossus. 40 0000 --- 00 [ ] -- -- ---- --- --- --
0c The question is: Why? 40 0100 A-- 05 [01] 40 14 +000 +00 P80 23
0e Thoreau: "That 40 0000 A-- 05 [01] 40 40 +000 +00 P80 28
0f government which 40 0000 A-- 05 [01] 40 16 +000 -15 P80 2d
10 governs best, governs 40 00ca A-- 05 [01] 40 20 -028 +17 P80 32
11 least." 40 0000 A-P 05 [01] 40 1e +016 +00 P80 37
12 40 0004 A-- 04 [01] 40 40 +000 +00 P80 3c
13 Thomas Jefferson: 40 0000 --- 00 [ ] -- -- ---- --- --- --
14 "Resistance to tyranny 40 003a A-- 01 [01] 40 40 +000 +00 P80 40
15 is obedience to God." 40 0100 A-- 01 [01] 40 00 +000 +00 P00 41
17 Patrick Henry once 40 0000 --- 00 [ ] -- -- ---- --- --- --
18 said, "I regret that I 40 0000 --- 00 [ ] -- -- ---- --- --- --
19 have but one life to 40 0000 --- 00 [ ] -- -- ---- --- --- --
1a lose for my country." 40 0000 --- 00 [ ] -- -- ---- --- --- --
1c Some days I find I'm 40 0000 --- 00 [ ] -- -- ---- --- --- --
1d regretting I have one 40 0000 --- 00 [ ] -- -- ---- --- --- --
1e life to live IN my 40 0000 --- 00 [ ] -- -- ---- --- --- --
1f country. 40 0000 --- 00 [ ] -- -- ---- --- --- --
21 Politics aside here, 40 0000 --- 00 [ ] -- -- ---- --- --- --
22 folks, I'm working on 40 0000 --- 00 [ ] -- -- ---- --- --- --
23 digital mag called 40 0000 --- 00 [ ] -- -- ---- --- --- --
24 "NetMusik". 40 0000 --- 00 [ ] -- -- ---- --- --- --
26 We're entering a new 40 0000 --- 00 [ ] -- -- ---- --- --- --
27 era of sound. The 40 0000 --- 00 [ ] -- -- ---- --- --- --
28 computer is to the 40 0000 --- 00 [ ] -- -- ---- --- --- --
29 90's what the 40 0000 --- 00 [ ] -- -- ---- --- --- --
2a electric guitar and a 40 0000 --- 00 [ ] -- -- ---- --- --- --
2b distorted amp were to 40 0000 --- 00 [ ] -- -- ---- --- --- --
2c the garage bands of 40 0000 --- 00 [ ] -- -- ---- --- --- --
2d 60's and 70's. 40 0000 --- 00 [ ] -- -- ---- --- --- --
2f "NetMusik" is about 40 0000 --- 00 [ ] -- -- ---- --- --- --
30 the whole spectrum of 40 0000 --- 00 [ ] -- -- ---- --- --- --
31 computer-based audio 40 0000 --- 00 [ ] -- -- ---- --- --- --
32 art .. focusing on 40 0000 --- 00 [ ] -- -- ---- --- --- --
33 tracked music. 40 0000 --- 00 [ ] -- -- ---- --- --- --
35 1st issue's focus is 40 0000 --- 00 [ ] -- -- ---- --- --- --
36 on intellectual 40 0000 --- 00 [ ] -- -- ---- --- --- --
37 property issues: Who 40 0000 --- 00 [ ] -- -- ---- --- --- --
38 owns a sample, and 40 0000 --- 00 [ ] -- -- ---- --- --- --
39 when does it become 40 0000 --- 00 [ ] -- -- ---- --- --- --
3a yours? Is the "art of 40 0000 --- 00 [ ] -- -- ---- --- --- --
3b the sample" just a 40 0000 --- 00 [ ] -- -- ---- --- --- --
3c cheap way of ripping 40 0000 --- 00 [ ] -- -- ---- --- --- --
3d off someone else's 40 0000 --- 00 [ ] -- -- ---- --- --- --
3e riffs? 40 0000 --- 00 [ ] -- -- ---- --- --- --
40 There's a whole lot 40 0000 --- 00 [ ] -- -- ---- --- --- --
41 more too, but I've 40 0000 --- 00 [ ] -- -- ---- --- --- --
42 taken up too many 40 0000 --- 00 [ ] -- -- ---- --- --- --
43 sample spaces already. 40 0000 --- 00 [ ] -- -- ---- --- --- --
45 "NetMusik" shows up 40 0000 --- 00 [ ] -- -- ---- --- --- --
46 on cdrom.com June 1st. 40 0000 --- 00 [ ] -- -- ---- --- --- --
47 To get on the mailing 40 0000 --- 00 [ ] -- -- ---- --- --- --
48 list, email me at: 40 0000 --- 00 [ ] -- -- ---- --- --- --
4a $aint Vitu$ 40 0000 --- 00 [ ] -- -- ---- --- --- --
4c robe0041@ 40 0000 --- 00 [ ] -- -- ---- --- --- --
4d gold.tc.umn.edu. 40 0000 --- 00 [ ] -- -- ---- --- --- --
4f Comments about this 40 0000 --- 00 [ ] -- -- ---- --- --- --
50 song, or, hell, just 40 0000 --- 00 [ ] -- -- ---- --- --- --
51 music in general are 40 0000 --- 00 [ ] -- -- ---- --- --- --
52 definitely welcome and 40 0000 --- 00 [ ] -- -- ---- --- --- --
53 appreciated. 40 0000 --- 00 [ ] -- -- ---- --- --- --
55 To read the greets, 40 0000 --- 00 [ ] -- -- ---- --- --- --
56 you'll have to go into 40 0000 --- 00 [ ] -- -- ---- --- --- --
57 FT2. Thanks for 40 0000 --- 00 [ ] -- -- ---- --- --- --
58 reading this far, and 40 0000 --- 00 [ ] -- -- ---- --- --- --
59 remember: 40 0000 --- 00 [ ] -- -- ---- --- --- --
5a This is the punk rock 40 0000 --- 00 [ ] -- -- ---- --- --- --
5b of the '90s! Keep 40 0000 --- 00 [ ] -- -- ---- --- --- --
5c creating! 40 0000 --- 00 [ ] -- -- ---- --- --- --
5e - $.V. 40 0000 --- 00 [ ] -- -- ---- --- --- --

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