File "anti-requiem.it"

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Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
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Loading modland.com/pub/modules/Impulsetracker/RS3/anti-requiem.it (1 of 1)
Module name : RS3 - Anti-Requiem
Module type : Impulse Tracker 2.14v5 IT 2.14
Module length: 47 patterns
Patterns : 46
Instruments : 28
Samples : 34
Channels : 37 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 5min07s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 40 0800 A-- 01 [01] 30 40 +100 +16 Pff 00
02 . Anti-Requiem 40 0800 A-- 01 [01] 30 40 +100 +16 Pff 00
03 : 40 0500 A-- 01 [01] 1d 40 +127 +09 Pff 01
04 : sequenced & arranged 40 0500 A-- 01 [01] 1c 40 +024 +18 Pff 02
05 : RS3 of Root Productions 40 1500 --- 01 [01] 2e 40 +031 +17 Pff 03
06 : 10Jun1999@0245 40 0500 A-- 01 [01] 0e 40 +100 +28 Pff 04
07 40 0000 --- 01 [01] 40 40 +077 +10 Pff 05
08 . SH+F9 40 0a80 --- 01 [01] 16 40 +127 +18 Pff 06
09 : 40 0c00 A-- 01 [01] 31 40 +056 +12 Pff 07
0a : for inspiration 40 0000 --- 01 [01] 40 40 +034 +27 Pff 08
0b : greets 40 1200 --- 01 [01] 2d 40 +125 +24 Pff 09
0c : and other such noise 40 1200 --- 01 [01] 2e 40 +125 +24 Pff 0a
0d 40 1200 --- 01 [01] 2f 40 +125 +24 Pff 0b
0e 40 1200 --- 01 [01] 30 40 +125 +24 Pff 0c
0f 40 1200 --- 01 [01] 31 40 +125 +24 Pff 0d
10 40 1380 A-- 01 [01] 1e 40 +100 +16 Pff 0e
11 40 0f00 --- 01 [01] 40 40 +014 +23 Pff 0f
12 40 0000 --- 01 [01] 1e 40 +100 +16 Pff 0e
13 40 0800 A-- 01 [01] 1c 40 +090 +30 Pff 10
14 40 0000 --- 01 [01] 31 40 +107 +12 Pff 11
16 40 0000 --- 01 [01] 3e 40 +089 +17 Pff 15
17 40 0000 --- 01 [01] 38 40 +100 +28 Pff 16
18 40 0000 --- 01 [01] 38 40 +100 +28 Pff 17
19 40 0000 --- 01 [01] 20 40 +026 +11 Pff 18
1a 40 0000 --- 01 [01] 20 40 +026 +11 Pff 19
1c 40 0780 A-- 01 [01] 0e 40 +100 +28 Pff 04

>
> Do not go gentle into that good night,
> Old age should burn and rave at close of day;
> Rage, rage against the dying of the light.
>
> Though wise men at their end know dark is right,
> Because their words had forked no lightning they
> Do not go gentle into that good night.
>
> Good men, the last wave by, crying how bright
> Their frail deeds might have danced in a green bay,
> Rage, rage against the dying of the light.
>
> Wild men who caught and sang the sun in flight,
> And learn, too late, they grieved it on its way,
> Do not go gentle into that good night.
>
> Grave men, near death, who see with blinding sight
> Blind eyes could blaze like meteors and be gay,
> Rage, rage against the dying of the light.
>
> And you, my father, there on the sad height,
> Curse, bless, me now with your fierce tears, I pray,
> Do not go gentle into that good night.
> Rage, rage against the dying of the light. [1953]
>
> - Dylan Thomas
>
>
> : RS3 of Root Productions
> : Anti-Requiem [04.45]
> : June 1999
>
> . PGDN for obligatory garbage
>
>
> . Thank you:
>
> : Snuff, Karl, Jacob: Such kind words got me going on this one.
> :
> : Garrett, Melissa, Brian, Ryan: Friendship is forever inspiring.
> : Mike, Dover, Marcus, Nathan, Rob, Colin M: Yes, forever inspiring.
> :
> : Darkhalo, Root's newest addition.
> :
> : #trax, which comes in various network flavors.
>
> . A few words:
>
> : I've never had to work so hard on a track before! This really took a
> : lot of time and effort to finish, even though about 1/3 of it is copy
> : and paste effort. Throughout, my technique and patience both were
> : pushed to new limits. I'm glad to finally finish this piece.
> :
> : It began for a literature class as a creative interpretation of the
> : poem above. It'll be turned in tomorrow and played for the class.
> : Wish me luck. :)
> :
> : Despite humble beginnings, I really feel this is my best. It took me
> : about eight months to finally finish something again (since Redemption)
> : and it feels GOOD.
> :
> : What's next? Who knows. I intend to push onward into new territory,
> : certainly; perhaps more synthorchestral, perhaps some commercial jobs.
> : It'll be good, whatever happens. Rest assured of that.
>
>
>
> . Four weeks of civilian life left... -- RS3 / Root.

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