-=::Emor3j's chiptune radio::=-
User menu
You are not connected.

Sign upSign up
Forgot your password?
Now playing
Natsuki Crisis Battle - A Bloody Mistress
Never rated
00:00 / 41

File "via remoteness 2.it"

Title : Via Remoteness (HMC)
Author : Unknown

Platform : PC
Format : Impulse Tracker 2.14 IT 2.14

This file has 1 tracks.

This file has been played 0 time(s).
Last played : 08 July 2022 - 12:15:22

Uploaded by emor3j on 11 Jan. 2022 - 01:48:26

Rating :

Download

Tracks :

Number Title Last played Played Length Vote
1 Via Remoteness (HMC) 08 July 2022 - 12:15:22 Never 432 s

Extra infos

Full tags

Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
Press 'h' for help

Loading modland.com/pub/modules/Impulsetracker/Eterman/via remoteness 2.it (1 of 1)
Module name : Via Remoteness (HMC)
Module type : Impulse Tracker 2.14 IT 2.14
Module length: 25 patterns
Patterns : 37
Instruments : 32
Samples : 46
Channels : 28 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 - - - ]
Duration : 7min12s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
03 Cello 40 0780 A-- 01 [01] 34 40 +107 +12 Pff 01
04 Trumpet 40 0400 A-P 01 [01] 40 40 +103 +16 Pff 06
05 Trombone 40 0780 A-P 01 [01] 2e 40 +107 +04 Pff 08
06 Violins 1e 1180 A-- 01 [01] 40 40 +117 +16 Pff 10
07 Violins 40 0400 A-- 01 [01] 40 40 +117 +16 Pff 10
08 Violin 40 0680 A-- 01 [01] 34 40 +107 +16 Pff 03
09 Woodwinds 32 0000 A-P 01 [01] 40 40 +113 +04 Pff 04
0a Classical Strings 40 0a00 A-P 01 [01] 18 40 +099 +19 Pff 05
0b Strings 40 0d00 A-- 01 [01] 40 40 +107 +16 Pff 02
0c Strings 40 08c0 A-P 01 [01] 40 40 +107 +16 Pff 02
0d Strings 40 08c0 A-P 01 [01] 40 40 +107 +16 Pff 02
0e Space Choir 2d 0900 A-P 01 [01] 18 40 +100 +24 Pff 07
0f Space Choir 2d 0a80 A-P 01 [01] 18 40 +100 +24 Pff 07
10 Men's Choir 32 0900 A-- 01 [01] 40 40 +109 +28 Pff 1f
11 Men's Choir 1e 0b40 A-- 01 [01] 40 40 +109 +28 Pff 1f
12 Xylophone 40 0000 A-- 01 [01] 23 40 +100 +16 Pff 11
13 Xylophone 40 0f00 A-- 01 [01] 23 40 +100 +16 Pff 11
14 Cello 40 0c80 A-- 01 [01] 34 40 +107 +12 Pff 01
15 Trombone 40 0c80 A-P 01 [01] 2e 40 +107 +04 Pff 08
16 Strings 2 3c 0c80 A-- 01 [01] 20 40 +123 +22 Pff 09
17 Light pulse 32 0000 A-- 02 [01] 40 40 +048 +28 Pff 0d
[02] 40 40 +048 +28 Pff 0e
18 Light pulse 32 1400 A-- 02 [01] 40 40 +048 +28 Pff 0d
[02] 40 40 +048 +28 Pff 0e
19 High sound 1e 0000 A-- 01 [01] 40 40 +097 +02 Pff 0f
1a Light pulse 32 0000 A-- 02 [01] 40 40 +048 +28 Pff 0d
[02] 40 40 +048 +28 Pff 0e
1b Trumpet 40 06c0 A-P 01 [01] 40 40 +103 +16 Pff 06
1c Violin 40 0a00 A-- 01 [01] 34 40 +107 +16 Pff 03

> Bird flies away.
> Wind eases once.
> Sun sets.
>
> Grasp not.
> Fly with clouds.
> Wind has no rhythm.
>
>
> VIA REMOTENESS (7:12)
> Heavenly Music Compo Arrangement
>
> by Eterman in 28.8.2000 for HMC3
>
> Now this is not that modern, the piece. I've listened
> to a lot of modern classical music, mainly Finnish
> composers such as Kokkonen and Rautavaara, but I don't
> think I've taken any ideas from them. I understand some
> of their works and have even learned to enjoy them, but
> there is no way I could create something so deep as
> their music is.
> So if we have some tempo changes and the time signature is not
> stable all the time, that yet doesn't make the piece modern.
> Not that I wanted to track modern music, only something new.
> It may be of conventional roots, but fresh it must be.
> In this special arrangement, I removed all drums to make the
> melody flow smoother. I also changed some instruments and even
> adjusted melody progressions. The changes in time signatures
> are mostly done considering the melody. I didn't intend to
> show off. I know plenty of more skillful artists in tempo
> changes and accents not to mention creating peaks.
> I create melodies and chord-progressions and that's what I do
> best. What listener is to do best, is to listen. (wow, what a bad
> grammar!) It is interesting to catch the theory and analyze, but
> I hope you all know what listening to music is all about.
> Not theory, I hope. It's interesting, but not the purpose.
>
> Not much more to say. Hope you enjoy this product.
> Hope it adds something to the compo.
>
>
>
>
>
> -Harri Kivisto
> eterman@writeme.com
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> .

No related files.