File "shelter 2.it"

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Loading modland.com/pub/modules/Impulsetracker/Eterman/shelter 2.it (1 of 1)
Module name : Shelter
Module type : Impulse Tracker 2.14 IT 2.14
Module length: 79 patterns
Patterns : 77
Instruments : 30
Samples : 36
Channels : 17 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 13min39s (main sequence)
0min47s (sequence 1 at position 41)
1min21s (sequence 2 at position 47)
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 Medieval Melodeon 2d 0000 A-P 01 [01] 22 40 +123 +40 Pff 00
02 Medieval Melodeon 40 0500 A-P 01 [01] 22 40 +123 +40 Pff 00
03 Medieval Melodeon 37 0000 A-P 01 [01] 22 40 +123 +40 Pff 00
04 Steel Guitar 2d 0580 A-- 05 [01] 40 40 +093 +33 Pff 17
[02] 40 40 +093 +28 Pff 0d
[03] 40 40 +093 +24 Pff 04
[04] 40 40 +093 +19 Pff 06
[05] 40 40 +093 +14 Pff 07
05 Steel Guitar 2d 0580 A-- 05 [01] 40 40 +093 +33 Pff 17
[02] 40 40 +093 +28 Pff 0d
[03] 40 40 +093 +24 Pff 04
[04] 40 40 +093 +19 Pff 06
[05] 40 40 +093 +14 Pff 07
06 Medieval Guitar 40 0140 A-P 03 [01] 34 40 +060 +40 Pff 01
[02] 2a 40 +060 +40 Pff 02
[03] 20 40 +060 +40 Pff 08
07 Medieval Guitar 28 0140 A-P 03 [01] 34 40 +060 +40 Pff 01
[02] 2a 40 +060 +40 Pff 02
[03] 20 40 +060 +40 Pff 08
08 Cello 40 0000 A-- 01 [01] 40 40 +107 +12 Pff 09
09 Cello 40 0000 A-- 01 [01] 40 40 +107 +12 Pff 09
0a Pan Flute 40 0500 A-- 01 [01] 40 40 +119 +24 Pff 0a
0b Bass 40 1400 A-- 01 [01] 40 40 +095 +28 Pff 0b
0c Violin 40 0f00 A-- 01 [01] 34 40 +127 +16 Pff 0c
0d Violin 40 0000 A-- 01 [01] 34 40 +127 +16 Pff 0c
0e Pluck 23 0000 --- 01 [01] 40 40 +127 +16 Pff 10
0f Pizzicato 1e 0000 A-- 01 [01] 2c 40 +091 +11 Pff 0f
10 Flute 40 0000 A-- 01 [01] 40 40 +081 +14 Pff 0e
11 Flute 40 0500 A-P 01 [01] 40 40 +081 +14 Pff 0e
12 Cello 40 0240 A-- 01 [01] 40 40 +107 +12 Pff 09
13 Drum Kit 40 0000 A-- 0a [01] 2c 40 +000 +00 Pff 13
[02] 40 40 +031 +15 Pff 19
[03] 40 40 +062 +16 Pff 12
[05] 40 40 +092 +16 Pff 18
[06] 40 40 +092 +16 Pff 11
[07] 34 40 +020 +05 Pff 1c
[08] 2e 40 +000 +00 Pff 16
[09] 20 40 +100 +28 Pff 15
[0a] 40 40 +083 +16 Pff 05
14 Drum Kit 40 0000 A-- 08 [01] 2c 40 +000 +00 Pff 13
[02] 40 40 +031 +15 Pff 19
[03] 40 40 +062 +16 Pff 12
[05] 40 40 +092 +16 Pff 18
[06] 40 40 +092 +16 Pff 11
[07] 2e 40 +000 +00 Pff 16
[08] 20 40 +100 +28 Pff 15
15 Flute 40 0000 A-P 01 [01] 40 40 +081 +14 Pff 0e
16 Pan Flute 40 0280 A-- 01 [01] 40 40 +119 +24 Pff 0a
17 Marimba 40 0000 A-- 01 [01] 20 40 +079 +15 Pff 03
18 French Horn 40 0000 A-- 01 [01] 40 40 +095 +28 Pff 1a
19 Xylophone 40 1400 --- 01 [01] 2a 40 +100 +28 Pff 1b
1a Steel Guitar 2d 0580 A-P 05 [01] 40 40 +093 +33 Pff 17
[02] 40 40 +093 +28 Pff 0d
[03] 40 40 +093 +24 Pff 04
[04] 40 40 +093 +19 Pff 06
[05] 40 40 +093 +14 Pff 07
1b Steel Guitar 2d 0580 A-P 05 [01] 40 40 +093 +33 Pff 17
[02] 40 40 +093 +28 Pff 0d
[03] 40 40 +093 +24 Pff 04
[04] 40 40 +093 +19 Pff 06
[05] 40 40 +093 +14 Pff 07
1c Medieval Guitar 28 0140 A-P 03 [01] 34 40 +060 +40 Pff 01
[02] 2a 40 +060 +40 Pff 02
[03] 20 40 +060 +40 Pff 08
1d French Horn 40 0000 A-P 01 [01] 40 40 +095 +28 Pff 1a
1e French Horn 40 0000 A-P 01 [01] 40 40 +095 +28 Pff 1a

>
> SHELTER 13:30
> 19.4.2000
> by Eterman A Fantasy/Folk Epic
>
>
> "He heard music being played as he started
> to return from the state of sleep. Soon he was
> awake and opening his eyes he noticed a small
> group of musical talents playing strange
> unfamiliar melodies of unknown roots. At first
> the music was peaceful and even quite simple.
> Sham arose to his feet and rolling his
> eyes around the surroundings of his whereabouts
> he felt more tired than for a long time, but
> somehow he soon found it impossible only to lie
> down and get some rest again. So strange and
> intriguing were the tones that struck his very
> inner self in that sudden moment of expression.
> There was a party outside, he soon
> understood, and as the sounds grew louder more
> instruments came to accompany them building up
> an awesome sound and expression that reminded
> Sham of those in Hadron when he had first heard
> a small symphony orchestra playing.
> He didn't know where he was, nor did he
> have any idea of what might have happened to
> him, or when it actually had occured, but he
> surely recalled the shipwreck and that mighty
> storm when the ocean seemed to turn its rage
> against one lonely sailor. Sham had never been
> a good sailor, nor had he considerd himself an
> adequate swimmer, but by a force and action not
> from this world he seemed to have survived. Another
> option was, that he was dead. Pondering those
> alternatives didn't interest Sham as he looked
> around this new place of him, this new shelter.
> Whether he was alive or not, he knew that
> scarcely anything better was to come after man's
> departure. So greatly touching was that influence
> of inspirational melodies flowing around him combined
> with dancing merry figures over a nearby low hill.
> Sham could also see a small bonfire and hear gleeful
> laughter as he started to weakly approach the place.
> It suddenly occured to him that although he had
> no idea of where he was, he didn't feel any anxiety
> or confusion. Somehow he felt like being home again,
> which of course could only be an illusion. Sham
> wasn't homesick at all, for somehow he knew that
> better home or shelter was not to come. Perhaps such
> never existed. His sudden vision of happiness and the
> marvelous nature of his new whereabouts was a strange
> occasion, but all he could do was to trust these
> feelings and let the mysterious night atmosphere
> smoothly convey him that soon he would also find his
> place amoung this merry group in front of his very
> eyes being more welcome as ever before."
>
> -Land of Whispers by Harri Kivisto
> (shortened and poorly -I'm afraid-
> translated by the same man)
>
>
> MAKING THIS MUSIC:
>
> A real long-time project, this one. Took many working days and
> I had long pauses, when I just couldn't rush forward with composing. It
> also took quite a lot of time to make this sound good. It's hard to make
> many various intruments fit together, especially when making this kind
> of fresh music and using less conventional instrument combinations. Lots
> of work, but that's what one has to take in order to create something
> truly new. I'm not interested in copying anyone, not even myself. I want
> to make novel tunes with much inspiring music in them. (I like this term
> "much music". There are many tunes with _one_ or two musics in them. Then
> again, there are pieces with many musics not fitting together at all.
> With music here, I mean "ideas" or "themes"; The complete thoughts in
> musical world.)
>
> I had some clear ideas on my mind as I started working
> on this one, but they were mostly too used and trite. I decided not
> to make the common acoustic fantasy/medieval song, but to add more
> my own style and some fresh inspirations including jazzy bassline and
> chord-variations plus an innovative song structure. I also combined some
> scandinavian folk influences (slightly) to get a novel approach.
>
>
> ABOUT THE SONG
>
> What I have here now, is something totally different than the ideas I
> started with. This gotta be something really new! The beginning sounds
> quite familiar and conventional, but as the song goes on, more and more
> fresh influences are added and novel and conventional elements get mixed
> in a way I'd like to consider smooth.
> The result is something I find highly experimental. However,
> what comes to music genres, I wouldn't chategorize this piece
> experimental. This is just a different song with many influences.
>
> It seems that this song is the best I've made this far. If there's a
> style I'd have to stick with, then this is it. Of course this tune
> could perhaps be even better. I might make a mix some day with some
> _real_ acoustic guitars and _real_ flutes.
>
>
> ABOUT THE STORY
>
> The story? Indeed. There's also a story behind this piece. The so
> called "Land of Whispers" is a fantasy saga I've created. This
> particular piece indicates to a place called "Enthos" and every time
> I listen to this song, my vision of the place is clarified all the
> more. It's not only that my fantasy tale inspires me writing notes.
> It works the other way also.
> This song contains some themes commonly played in Enthos,
> which is translated as 'shelter'. The place provided a shelter for
> a small group of shipwrecked centuries ago, who named the place and
> settled there.
>
>
> UNSORTED RUBBISH :)
>
> Again something about musical values:
> Lately I've been very keen to critisizing the western pop
> music industry, but perhaps I've been wrong. Well, actually it's
> painful for me to think about myself going astray in my thought,
> so perhaps I wasn't totally wrong, but a little sideways from the
> essential issues. Perhaps I wasn't all mistaken, but consentrating
> on wrong topics. Yes, that sounds quite soft enough.
> Anyhow, I don't like the fact, that the music nowadays is all
> the lamer. There's less music and more hype. Less art and more... pop,
> which I tend to take as a swear word. Pop is something which helps
> people turn off their brains. Like hollywood (lowercase).
> USA _is_ the evil empire, you know. Invented the hollywood, super
> bowl, mcdonalds... (just kidding... I mean, Einstein wasn't that evil
> although his thought led to inventing the bomb)
> In music industry (hate the word industry there. It's so
> correct. I quess industrialization always creates its waste also)
> songs are too often based on one idea only, which idea is seldom new.
> Stealing is nowadays borrowing. Or refining. Artistic rape is often
> considered interpreting. O tempora o mores.
> There are also one-thought movies. Curiously, they are very
> often the ones to make the best profit, although very few critics find
> them good. The same goes to music or everything that has some artistic
> value.
>
> Now, I'm not saying that popular music _is_ bad. How could it be, if it's
> popular? It's up to how we define "good" and "bad" in music. If music
> brings pleasure to many, it can't possibly be bad music. It's not only
> about values, but also about different musical tastes. Writing about them
> would be like trying to make a dance performance out of architecture, but
> if I manage to arrange myself the time some day, I'll surely give it a
> try.
>
> Harri Kivisto eterman@writeme.com
>
>
>
> -Oh, the chords? I was writing them, but then it said something like
> "Song message too long". Limiting my inspiration! Horrendous!
> Inconceivable! A felonious assault against art! The most appalling
> catastrophe! An infuriating abomination! Darn!
> .

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