File "via remoteness 1.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
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Loading modland.com/pub/modules/Impulsetracker/Eterman/via remoteness 1.it (1 of 1)
Module name : Via Remoteness
Module type : Impulse Tracker 2.15 IT 2.14
Module length: 27 patterns
Patterns : 37
Instruments : 32
Samples : 43
Channels : 28 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 - - - ]
Duration : 8min16s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 Bass 40 0100 A-P 01 [01] 40 40 +093 +04 Pff 00
02 Cello 40 0a00 A-P 01 [01] 40 37 +122 +16 Pff 01
03 Cello 2d 0a00 --P 01 [01] 40 37 +122 +16 Pff 01
04 Trumpet 40 0000 A-- 01 [01] 34 40 +027 +24 Pff 02
05 Trumpet 40 0500 A-- 01 [01] 34 40 +027 +24 Pff 02
06 Violin 40 0400 A-- 02 [01] 16 40 +099 +28 Pff 03
[02] 16 40 +100 +28 Pff 04
07 Violin 40 0400 A-- 02 [01] 16 40 +099 +28 Pff 03
[02] 16 40 +100 +28 Pff 04
08 Violin 40 0400 A-P 02 [01] 16 40 +099 +28 Pff 03
[02] 16 40 +100 +28 Pff 04
09 Classical Strings 40 0000 A-- 01 [01] 18 40 +099 +19 Pff 05
0a Classical Strings 40 0a00 A-P 01 [01] 18 40 +099 +19 Pff 05
0b Synth strings 2d 0a00 A-- 01 [01] 40 31 +127 +16 P80 06
0c Synth strings 28 0a00 A-- 01 [01] 40 31 +127 +16 Pff 06
0d Synth strings 40 0a00 A-- 01 [01] 40 31 +127 +16 Pff 06
0e Space Choir 2d 0000 A-P 01 [01] 18 40 +100 +24 Pff 07
0f Space Choir 2d 0000 A-P 01 [01] 18 40 +100 +24 Pff 07
10 Choir 1e 0a00 A-- 01 [01] 40 37 +091 +11 Pff 08
11 Choir 1e 0780 A-- 01 [01] 40 37 +091 +11 Pff 08
12 Organ 1e 0000 A-- 01 [01] 40 40 +111 +04 Pff 09
13 Synth guitar 28 0000 A-- 03 [01] 3a 40 +052 +40 Pff 0a
[02] 3d 40 +052 +40 Pff 0b
[03] 40 40 +052 +40 Pff 0c
14 Synth guitar 28 0000 A-P 03 [01] 3a 40 +052 +40 Pff 0a
[02] 3d 40 +052 +40 Pff 0b
[03] 40 40 +052 +40 Pff 0c
15 Synth guitar R 1e 0000 A-P 03 [01] 3a 40 +052 +40 Pff 0a
[02] 3d 40 +052 +40 Pff 0b
[03] 40 40 +052 +40 Pff 0c
16 Synth guitar L 1e 0000 A-P 03 [01] 3a 40 +052 +40 Pff 0a
[02] 3d 40 +052 +40 Pff 0b
[03] 40 40 +052 +40 Pff 0c
17 Light pulse 32 0000 A-- 02 [01] 40 40 +048 +28 Pff 0d
[02] 40 40 +048 +28 Pff 0e
18 Light pulse 32 1400 A-- 02 [01] 40 40 +048 +28 Pff 0d
[02] 40 40 +048 +28 Pff 0e
19 High sound 1e 0000 A-- 01 [01] 40 40 +097 +02 Pff 0f
1a Drums 2d 0000 A-- 0f [01] 40 40 +000 +00 Pff 10
[02] 40 40 -088 -07 Pff 11
[03] 2d 40 +000 +00 Pff 12
[04] 2d 40 +067 +16 Pff 13
[05] 32 40 +072 +12 Pff 14
[06] 40 40 +055 +11 Pff 15
[07] 20 40 +100 +28 Pff 16
[08] 40 40 +092 +16 Pff 17
[09] 40 40 +000 +00 Pff 18
[0a] 40 40 +013 +10 Pff 19
[0b] 40 40 +092 +04 Pff 1a
[0c] 40 30 +000 -01 Pff 1b
[0d] 40 40 +043 +12 Pff 1c
[0e] 40 40 +000 +00 Pff 1d
[0f] 40 36 +029 +11 Pff 1e
1c VIA REMOTENESS 40 0000 --- 00 [ ] -- -- ---- --- --- --
1e By Eterman 40 0000 --- 00 [ ] -- -- ---- --- --- --

>
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> VIA REMOTENESS (8:15)
>
> by Eterman
>
>
>
>
> I started making this one after `Away' and one can
> easily hear some similarity; not necessarily in melody, but
> drums, and accents are quite alike.
>
> Making this song, I was all the time thinking about the
> great distances of space. The enormous wonder. The awe. How
> we're so small. A lonely spaceship travelling between stars. The
> emptyness. The lonelyness.. snif...
> But also insights of destinations and the hope of finally
> reaching and overcoming the distance. All this in a moment. In
> an expression.
>
> I've been listening pretty much to Handel and Haydn lately, which
> has perhaps brought some softness to my music. Also I've clearly
> been inspired by Kurt Bestor's brilliant sacred music. Not that my
> music was similar to any of those great composers.
>
> Not the best possible tracking, but I really put time and effort to
> the melody.
>
> Chord progression:
>
>
>
> 00 Csus2 |C |F |Am |Bb |Gm |Dm |
> Cm |Eb |Bb |Gm |Fsus4 | |F |
> 01 Dm | |Bbmaj7 |C7 |F | |Am |
> Gm | |A |Bb |G | | |
> 02 Csus2 |C |F/A |Am |Bb |Gm/Bb |Dm |
> Cm/Eb |Eb |Bb |Gm |Fsus4 | |Am |
> 04 C | | |
> 05 C | |G | |Csus4 |C |Gm/Bb |Dm C
> Dm |Bb |C(sus4) |C |F |Edim/F |F | (d)
> 06 F | |C |C7 |Fsus4 |F |Cm |Gm F
> Gm |Eb |Fsus4 |F |Bb |Eb F |Bb |
> 07 Dm |Esus4 Em|F |Am |Bm D |Dbm Gb6 |G |Bsus27 Bm
> Em |Gbsus47 Gb|G |A9 Bm |Gsus2 G |Dm/A Csus4|Bbsus4 Bb|A C
> 08 F | |Cm7 | |F |Gm/F |Cm |Eb
> Ab |Db |E |Bm |Gbm7 |G |Dm |E
> 11 Em | |Am | |G/F |F |Em/G |G/D
> C |C7 |F |G |C | | |
> 17 Dm |C/E Am |Bb |Gm |F/C F |C |G |D
> Eb |Gb |Bm |G |F |Am |G |C /E
> 21 Em |Bm |C |Am |G |D |A |E
> F |Bb Am/C|Dm |Gm F |Bb |G |Am |Cmaj7 D
>
>
> Enjoy.
>
>
> Harri Kivisto
> eterman@writeme.com
>
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> .

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