File "slanted.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
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Loading modland.com/pub/modules/Impulsetracker/Eterman/slanted.it (1 of 1)
Module name : Slanted
Module type : Impulse Tracker 2.14 IT 2.00
Module length: 25 patterns
Patterns : 25
Instruments : 14
Samples : 43
Channels : 14 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 3min01s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 40 0b40 A-P 05 [01] 40 2c +004 +41 Pff 00
[02] 40 40 +127 +28 Pff 11
[03] 40 40 +127 +16 Pff 01
[04] 40 40 +124 +04 Pff 10
[05] 40 40 -014 -07 Pff 02
02 40 1400 A-- 03 [01] 40 40 +056 +30 Pff 09
[02] 2a 40 +113 +48 Pff 0a
[03] 34 40 +002 +24 Pff 08
03 40 0500 A-P 08 [01] 3a 40 +003 +21 P50 07
[02] 30 40 +023 +27 P50 03
[03] 40 40 +036 +22 P50 0f
[04] 40 40 +030 +17 P50 0c
[05] 40 40 +022 +12 P50 0d
[06] 40 40 +029 +07 P50 0e
[07] 35 40 +016 +02 P50 0b
[08] 40 40 +007 +29 P50 05
04 40 0f00 --P 01 [01] 40 40 +072 +12 Pff 04
05 40 1040 --P 01 [01] 40 40 +124 +11 Pff 06
06 35 0a00 --- 0a [01] 20 30 +000 +00 Pff 12
[02] 40 1e +100 +16 Pff 13
[03] 40 22 +000 -09 Pff 14
[04] 40 40 +000 +00 Pff 15
[05] 40 32 +000 +00 Pff 16
[06] 2a 38 +043 +14 Pff 17
[07] 34 40 +000 +00 Pff 18
[08] 40 3a +000 +00 Pff 19
[09] 40 40 +100 +16 Pff 1a
[0a] 40 40 +043 +12 Pff 1b
07 ......... 40 0000 --- 00 [ ] -- -- ---- --- --- --
08 Slanted 40 0000 --- 00 [ ] -- -- ---- --- --- --
09 (3:00) 40 0000 --- 00 [ ] -- -- ---- --- --- --
0b By Eterman 40 0000 --- 00 [ ] -- -- ---- --- --- --

>
>
> Slanted
>
>
>
> Sounds kind of musty with my audio equipment.
> Perhaps they're the basses that make it.
> After a few times listening I decided to let it be.
>
> Still sounds somewhat odd and dim.
>
>
> With this much space all rightfully mine...
>
> THE ENTIRE CHORD PROGRESSION:
>
> (Not exactly as in the song. Some 7's added etc.)
> (B0 means the chord B - D - F)
>
> 03 Cm :Bb :Cm :F :Db :G :Cm :Cm
> 04 Cm :Gm :Eb :Bb :Ab :Bb :Cm :Cm
> 05 Cm7 :Bb :Cm :Dm7/F :Db :G :Cm :Cm Cm7
> 06 Eb :Bb7 Bm0:Cm :Ab :Fm9 :G7 :Cm :Cm
> 07 Db :Eb :Fm :Fm7/Ab :E :D :Gb :Ab
> 08 A :Gbm :E :B :Abmaj7 :G :Cm :Cm
> 09 Eb :Ab :Eb/Bb :Cm :Ab9 :Fm7/Ab :Bb :Gm/Bb
> 10 Ab :Fm :Eb :Bb :Gm :Bb :Cm :
> 11 C *12 (Only bass, next two lines also)
> 12
> 13 C :F :Eb :Bb :Ab :F :G Bb :C
> 14 Cm :Dm :Eb :F :Cm7 :F :Gm Bb/D:Cm
> 15 Cm :Dm :Eb /Ab:Fm :Ab :Gm :Eb Bb/D:Cm
> 16 F :Db :Eb :Bbm :B :A :D :Gbm
> 17 G :Em :A :D :Eb :F :Ab :Gm/Bb
> 18 Cm :Bb :Cm :F :Db :G :Cm :Cm
> 19 Cm :Gm :Eb :Bb :Ab :Bb :Cm :Cm
> 20 Cm7 :Bb :Cm :Dm7/F :Db :G :Cm :Cm Cm7
> 21 Eb :Bb7 Bm0:Cm :Ab :Fm9 :G7 :Cm :Cm
> 22 Db :Eb :Fm :Fm7/Ab :E :D :Gb :Ab
> 23 A :Gbm :E :B :Abmaj :G :Cm :Cm
>
> I quess no-one is really interested, but if someone is,
> know that you don't have to follow this progression table
> blindly. Those maj, 7, 9 and even some '/'s are mainly not
> important. And this B0-chord; It isn't actually in the
> song, but it wouldn't do any harm there. :)
>
> The reason I put some seasoning in the chords is that
> the song could be played that way also, perhaps with another
> kind of set, rhythm, or style.
>
> -Harri Kivisto
> eterman@writeme.com
>
>
>
> .

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