File "day before tomorrow.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
Press 'h' for help

Loading modland.com/pub/modules/Impulsetracker/Eterman/day before tomorrow.it (1 of 1)
Module name : Day Before Morrow
Module type : Impulse Tracker 2.14 IT 2.00
Module length: 26 patterns
Patterns : 28
Instruments : 33
Samples : 44
Channels : 16 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 - ]
Duration : 4min03s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 _________________ 40 0000 --- 00 [ ] -- -- ---- --- --- --
02 Day Before Morrow 40 0000 --- 00 [ ] -- -- ---- --- --- --
04 `-.Eterman.-' 40 0000 --- 00 [ ] -- -- ---- --- --- --
05 ~~~~~~~ 40 0000 --- 00 [ ] -- -- ---- --- --- --
07 Finished in 4.6.1999 40 0000 --- 00 [ ] -- -- ---- --- --- --
0a At last made something 40 0000 --- 00 [ ] -- -- ---- --- --- --
0b to keep max. channels 40 0000 --- 00 [ ] -- -- ---- --- --- --
0c in 32. 40 0000 --- 00 [ ] -- -- ---- --- --- --
0e _________________________ 40 0000 --- 00 [ ] -- -- ---- --- --- --
0f Synth guitar 40 0000 A-P 03 [01] 40 40 +052 +40 Pff 04
[02] 40 40 +052 +40 Pff 05
[03] 40 40 +052 +40 Pff 06
10 Synth guitar 40 0000 A-P 03 [01] 40 40 +052 +40 Pff 04
[02] 40 40 +052 +40 Pff 05
[03] 40 40 +052 +40 Pff 06
11 Synth guitar 40 0000 A-P 03 [01] 40 40 +052 +40 Pff 04
[02] 40 40 +052 +40 Pff 05
[03] 40 40 +052 +40 Pff 06
12 Bell 40 0000 A-- 02 [01] 40 40 +052 +40 Pff 03
[02] 40 40 +052 +40 Pff 01
13 Accordeon 40 03c0 A-- 01 [01] 40 40 +100 +16 Pff 09
14 Accordeon 40 0500 A-- 03 [01] 40 40 +100 +28 Pff 07
[02] 40 40 +100 +21 Pff 08
[03] 40 40 +100 +16 Pff 09
15 Lead 40 0a00 A-P 01 [01] 40 40 +100 +28 Pff 14
16 Heavy background string 40 0640 --P 01 [01] 40 34 +100 +16 Pff 02
17 Lowstrings_bass 40 0c80 --- 01 [01] 40 40 +040 +00 Pff 13
18 Drums 28 0c80 --- 0f [01] 40 40 +092 +16 Pff 1a
[02] 40 38 +000 +00 Pff 0a
[03] 40 40 +052 +00 Pff 18
[04] 40 40 +000 +00 Pff 19
[05] 40 40 +047 +12 Pff 0b
[06] 40 30 +000 -09 Pff 0c
[07] 40 40 +000 +00 Pff 0d
[09] 40 40 +043 +14 Pff 0e
[0a] 40 40 +000 +00 Pff 0f
[0b] 40 40 +000 +00 Pff 10
[0c] 40 40 +081 +19 Pff 15
[0d] 40 40 +100 +16 Pff 11
[0e] 40 40 +043 +12 Pff 12
19 Jazz organ 40 0c80 A-P 01 [01] 40 40 +092 +28 Pff 00
1a Jazz organ 40 0000 A-P 01 [01] 40 40 +092 +28 Pff 00
1b Pipe organ 40 0000 A-P 01 [01] 40 40 +092 +28 Pff 00
1c Pipe organ 40 0000 A-P 01 [01] 40 40 +092 +28 Pff 00
1d Guitar 32 0000 A-P 03 [01] 40 40 +081 +19 Pff 15
[02] 40 40 +072 +14 Pff 16
[03] 40 40 +082 +12 Pff 17
1f (4:07) 40 0000 --- 00 [ ] -- -- ---- --- --- --
21 (shift-F9) 40 0000 --- 00 [ ] -- -- ---- --- --- --

>
> DAY BEFORE MORROW [4:07]
> ~~~~~~~~~~~~~~~~~
>
> By Eterman
>
>
> I know. File size is far too big.
> At least the channels don't come over 32.
> Some people like it that way (because
> of their audio equipment, I suppose).
>
>
>
> Chord table:
>
> 0 |C | | | | | | | |
> 1 |C | | |D |Ab | | | |
> 2 |C | | |Dm |Ebmaj7 |Gm7 |Ab |Bb Bbm/C|
> 3 |F |Dm7 |Ebmaj7 |Gm Eb |Cm |Ab |Bb |F |
> 4 |Cm | Cm7/Eb|D |F |
> 5 |Gm |F |Gm |Bb |Dm7 |Dm/F Cm|Eb |F Dm/F |
> 6 |Gm |Fm |Bb |Dm7 |Cm |Ab |Fm |Eb Gm Bb|
> 7 |Cm |Bb |Cm |Bb |B |Ebm |Db |Ab |
> 8 |A |Dbm |D D/F |G D/G |E |F |Ab |Bb Gm |
> 9 |Cm |(Cm/D) |Eb | |Gm | |Ab | |
> 10 |Db | Eb |Fm | |Gb |Ab |Db |F |
> 11 |Gb |Bbm |B |B/Eb |E |Dbm |A |A/E |
> 12 |F |G |C |Am |Bb |Eb Eb/G|Ab |Bb |
> 13 |Cm | | |F |Am |Bb |Eb |Gm7 |
> 14 |Cm |Bb |Cm |Bb |B |Ebm |Db |Ab |
> 15 |A |Dbm |D D/F |G D/G |E |F |Ab |Bb Gm |
> 16 |C | | |Dm |Ebmaj7 |Gm7 Gm/Bb|Ab |Bb Bbm/C|
> 17 |F |Dm7 |Ebmaj7 |Gm Eb |Cm |Abmaj7 |Bb |F |
> 18 |Cm |Bb |Cm |Eb9 |Gm |Bb Fm |Ab |Bb |
> 19 |Cm |Bbmaj7 |Eb |Gm |Fm |Db |Bb |Ab Cm Eb|
> 20 |Cm |Cs4 Cm|Eb | |Gm | |Ab | |
> 21 |Db | Ebs4 Eb|Fm | |Gb |Ab |Db |Fm |
> 22 |Gb |Bbm |B |B/Eb |E |Dbm |A |A/E |
> 23 |F |G |C |Am |Bb |Eb Gm |Ab |Bb |
> 24 |C |
>
> (numbers in front representing current order values. `s' for sustain)
>
>
>
>
> Harri Kivisto
> Like what you hear? Please let me know.
>
> eterman@writeme.com
>
> .

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