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Natsuki Crisis Battle - A Bloody Mistress
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File "second salvation 2.it"

Title : Second Salvation FULL
Author : Unknown

Platform : PC
Format : Impulse Tracker 2.15 IT 2.14

This file has 1 tracks.

This file has been played 0 time(s).
Last played : 23 Aug. 2024 - 02:53:46

Uploaded by emor3j on 11 Jan. 2022 - 01:47:06

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Tracks :

Number Title Last played Played Length Vote
1 Second Salvation FULL 23 Aug. 2024 - 02:53:46 Never 532 s

Extra infos

Full tags

Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
Press 'h' for help

Loading modland.com/pub/modules/Impulsetracker/Parity Error/second salvation 2.it (1 of 1)
Module name : Second Salvation FULL
Module type : Impulse Tracker 2.15 IT 2.14
Module length: 73 patterns
Patterns : 63
Instruments : 18
Samples : 32
Channels : 20 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 - - ]
Duration : 8min52s (main sequence)
0min28s (sequence 1 at position 38)
2min14s (sequence 2 at position 3B)
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 40 0100 A-P 01 [01] 40 40 +103 +25 Pff 00
02 "Second Salvation" 40 0780 A-P 01 [01] 27 40 +098 +22 Pff 01
03 40 0380 A-- 01 [01] 2d 40 +107 +00 Pff 02
04 by 40 0000 --- 01 [01] 40 40 +100 +16 Pff 03
05 40 0000 --- 01 [01] 40 40 +100 +16 Pff 04
06 Parity 40 0380 A-P 01 [01] 2c 40 +099 +05 Pff 05
07 (Mark Clifton) 40 2380 --- 01 [01] 2f 40 -119 -03 Pff 06
08 40 1180 A-P 01 [01] 40 32 -009 -01 Pff 07
09 40 0000 --- 01 [01] 40 40 +043 +06 Pff 08
0a A Music Contest 5 40 0280 A-- 01 [01] 37 40 +018 +21 Pff 09
0b veteran entry. 40 0000 --- 01 [01] 40 40 +000 +00 Pff 0a
0c 40 2380 A-P 01 [01] 40 40 +077 +03 Pff 0b
0d 40 0e00 --- 01 [01] 30 40 +084 +14 Pff 0c
0e 40 0000 A-- 01 [01] 40 3c +127 +08 Pff 0d
0f 40 0000 A-- 01 [01] 40 40 +077 +03 Pff 0b
10 40 1900 AFP 01 [01] 26 40 +028 +20 Pff 0e
11 40 0000 --- 01 [01] 26 40 +028 +20 Pff 0e
12 . PutInst 4.0 . 40 0000 --- 01 [01] 26 40 +028 +20 Pff 0e

>
> You see, I was just using MC5 as a beta-testing device....
>
> They wanted more FULL VERSION has?
> ________________ _________________
>
> melody backup check
> intro/middle bridge check
> sample quality didn't see the need.. us interp.
> thinning out at places check
> bass repetativeness changed it around here and there
> sample combination clash element of song style :(
> song togetherness uhhh.....
> NNA's slowing down comp fucked my GUS codec hard... 8)
> eclectic infusion (liked that |) check
> better start check
>
> Greetz to the ppl who rated my MC5 entry........
>
> Lorenzo Convertito
>
> The piano sample is well sampled, while the battery is bad sampled. After
> the first seconds the song engages an unexpected rhythm, very pressing.
> The bass (really well made) gives the rhythm at the song. It isn't
> repetitive and tracking skill is good.
>
> Vesa Norilo
>
> A good and catchy melody. Bad percussion samples but they are used well.
> Basslines are somewhat lacking. Interesting piano-interlude (at order 17
> IIRC) and a very smooth transition following it. Good tracking technique.
> No major flaws in this one.
>
> Liam Hesse
>
> Confusing combination of samples; overdriven guitar, analog bass, synth
> lead, flanged acoustic guitar, That Hi Piano... they clash. The tune seems
> pretty good most of the time, but occasionally it stumbles. The piano bit
> from order 17 thru 19 doesn't fit. By the end, it sounds like it's turned
> into a different tune altogether. Somehow, that comes across as a bad
> thing.
>
> Russell Black
>
> Not really all that much to say about this track. It's technically very
> good, although the NNA's caused it to slow down at times on my computer. I
> can't really take points off for my slow computer, but I do think that at
> times it gets a bit overdone, especially when there are several lead parts
> playing at the same time - it sounds a little bit crowded. Each lead wants
> to take the tune in a slightly different direction, but it is limited by
> the other leads. I think that if these parts had been thinned out a bit,
> the track could have achieved a stronger feeling, with each lead bringing
> its own feelings to the entire track. Otherwise, a fairly solid track, not
> too dense at any one time, although sometimes it appears to be a little
> bit too sparse (e.g. intro, middle bridge), and could have done with a few
> pad chords or something, just to support the single melody.
>
> Jeffrey Abshire
>
> good variation, never gets boring or repetitive -- during some parts I
> really got into the song -- best song I've had to judge, but with these
> songs, it isn't saying too much... still a good song overall
>
> Nick Majeran
>
> An interesting title to a wildly fascinating song. An eclectic infusion,
> this song never fails to keep the listener's interest. The transitions
> masterfully change the course of the song, but are still able to maintain
> currents from earlier parts of the song, incorporating it all together
> wonderfully. The sound is wonderfully layered; the tracking and mixing
> both working to accent the music. The samples come together seamlessly;
> the deft drum loop usage is so clever, using it only when needed, not
> saturating the song. The defined beginning and end highlight the song as
> well. One of the most enjoyable four minutes in recent memory...
>
> Flavio Monaco
>
> NIce song. Well used leads and percussion.
>
> Daniel French
>
> this song was a trip to listen to. it didn't necessarily start all that
> well, until the drum beat came in. the main song was a slow groove that
> just built and built. i liked how almost everything was echoed several
> times, which grabbed a lot of channels but was definitely worth it.
> .

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