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File "forest walk.it"

Title : Forestwalk
Author : Unknown

Platform : PC
Format : Impulse Tracker 2.14v3 IT 2.14

This file has 1 tracks.

This file has been played 0 time(s).
Last played : 27 Nov. 2022 - 02:53:30

Uploaded by emor3j on 11 Jan. 2022 - 01:42:35

Rating :

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Tracks :

Number Title Last played Played Length Vote
1 Forestwalk 27 Nov. 2022 - 02:53:30 Never 235 s

Extra infos

Full tags

Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
Press 'h' for help

Loading modland.com/pub/modules/Impulsetracker/- unknown/forest walk.it (1 of 1)
Module name : Forestwalk
Module type : Impulse Tracker 2.14v3 IT 2.14
Module length: 18 patterns
Patterns : 12
Instruments : 52
Samples : 40
Channels : 26 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 - - - - - - - - - ]
Duration : 3min55s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 Percussion 40 0800 A-- 08 [01] 40 40 -039 -05 Pff 00
[02] 40 40 +012 +27 Pff 01
[03] 40 40 +043 +00 Pff 02
[04] 40 40 +043 +00 Pff 03
[05] 40 34 +029 +11 Pff 04
[06] 40 40 +095 +16 Pff 05
[07] 40 2d +105 +16 Pff 06
[08] 40 40 +095 +16 Pff 07
03 Lowstring 40 1000 --P 01 [01] 40 40 +000 +00 Pff 08
04 Phase Strings 40 0800 A-P 01 [01] 40 24 +104 +31 Pff 09
07 Oboe 40 0400 A-P 01 [01] 40 40 +115 +04 Pff 0a
09 Fantasia 40 0600 A-- 01 [01] 40 40 +023 +26 P80 0b
0b Piano 40 0400 A-- 06 [01] 40 40 +000 +24 P80 0c
[02] 40 40 +000 +24 P80 0d
[03] 40 40 +000 +24 P80 0e
[04] 40 40 +000 +24 P80 0f
[05] 40 40 +000 +24 P80 10
[06] 40 40 +000 +12 P80 11
0d Synth 1 40 1000 --P 01 [01] 40 40 +124 +03 Pff 12
0e Synth 2 40 1000 --P 01 [01] 40 40 +124 +03 Pff 13
0f Synth 4 40 1000 --P 01 [01] 40 40 +124 +03 Pff 14
10 Synth 5 40 1000 --P 01 [01] 40 40 +124 +03 Pff 15
11 Synth 6 40 1000 --P 01 [01] 40 40 +124 +03 Pff 16
12 Synth 7 40 1000 --P 01 [01] 40 40 +124 +03 Pff 17
13 Synth 8 40 1000 --P 01 [01] 40 40 +124 +03 Pff 18
14 Synth 9 40 1000 --P 01 [01] 40 40 +124 +03 Pff 19
15 Synth 10 40 1000 --P 01 [01] 40 40 +124 +03 Pff 1a
16 Synth 11 40 1000 --P 01 [01] 40 40 +124 +03 Pff 1b
1e Halo Pad 1 40 0280 A-- 01 [01] 40 30 +017 +29 Pff 1c
1f Halo Pad 2 40 0c00 A-- 01 [01] 40 30 +017 +29 Pff 1d
28 Vibes 1 40 2000 A-P 01 [01] 40 40 +029 +23 Pff 1e
29 Vibes 2 40 2000 A-P 01 [01] 40 40 +029 +23 Pff 1f
2a Vibes 3 40 2000 A-P 01 [01] 40 40 +029 +23 P40 20
2c Acoustic Guitar 40 0000 --P 01 [01] 40 40 +103 +09 Pff 21
2d Piano Royal 40 0a00 -FP 02 [01] 40 40 +082 +04 Pff 22
[02] 40 28 +000 +00 Pff 23
31 THXF.WAV 40 0000 A-- 01 [01] 40 40 -098 +00 Pff 24
32 CLOKC.WAV 40 0000 --P 01 [01] 40 40 +032 +30 Pff 25
33 Orchestra String 5ths 40 0500 --P 01 [01] 40 23 +087 +07 Pff 26
34 Koto 39 0000 --P 01 [01] 32 40 +127 +16 Pff 27

> Sample Creds to
>
> Necros
> Chris Jarvis
> Jeffrey Lim
> and me
> I think that might cover them all.
> Maybe a few by PMotion, Ryan Cramer, Digistorm. Oh I lose track so much.
> Hope I covered them all.
> Well, this song... I just like. It makes me smile. I like the sound. I
> never expected to make anything that ever sounded this good. I've been
> tracking since August and haven't had much time to tinker around with this
> excellent and most used program on my computer thing. The CLOK C is me.
> It's when you take your tounge from the roof of your mouth and slam it to
> the pallate on the bottom to make that delightful hollow CLOK sound that
> can irritate so many people. Slow down the THXF sound and you'll know what
> it is. You just have to slow it down just right. If you think it sounds
> cool and you want to know how I got that sound you can E-Mail me at
>
> SHFTLES@aol.com
>
> Please! I need REAL mail! :D
> As all AOL members I get a crapload of Junk E-Mail. So be sure to add
> something like Impulse Tracker in the subject area so I don't delete it
> right away. Hope the Acoustic Guitars aren't TOO annoying! hee hee. Hope
> you liked this song!
> Use my sounds even though they're not that great.
> Now, this is a song that sounds kind of ugly at the end. Enjoy anyways.
>
> .

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