File "inculta.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
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Loading modland.com/pub/modules/Impulsetracker/Shaithis/inculta.it (1 of 1)
Module name : Inculta
Module type : Impulse Tracker 2.14 IT 2.02
Module length: 75 patterns
Patterns : 80
Instruments : 32
Samples : 34
Channels : 21 [ 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 - - - ]
Duration : 5min13s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 Distort.1.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 00
02 Distort.2.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 01
03 Distort.3.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 02
04 Distort.4.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 03
05 Distort.5.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 04
06 Distort.6.Necros 40 0000 --P 01 [01] 40 1e +000 +00 Pff 05
09 Niceorg.1.Necros? 40 0000 --P 01 [01] 40 32 +115 +04 Pff 08
0a softhat.1.PM 40 0000 --P 01 [01] 40 18 +000 +00 Pff 09
0b leadsnd.1.DW 40 0000 --P 01 [01] 40 40 +000 +00 Pff 0a
0c Distort.7.Necros 40 0000 --P 01 [01] 40 1e -034 +00 Pff 0b
0d Leadsnd.2.darkwolf 40 0000 --P 01 [01] 40 3c +013 +00 Pff 0c
0e Kitloop.1.Necros 40 0000 --P 01 [01] 40 2d +083 +00 Pff 0d
0f BasKick.1.Captain 40 0000 --- 01 [01] 40 1e +000 +00 Pff 0e
10 Loudhat.1.RhythmGreene 40 0000 --P 01 [01] 40 28 -037 +00 Pff 0f
11 Beeprev.1.RhythmGreene 40 0000 --P 01 [01] 40 19 +083 +01 Pff 10
12 Rezlead.1.RhythmGreene 40 0000 --P 01 [01] 40 40 +122 +01 Pff 11
13 Skybass.1.PM 40 0000 --P 01 [01] 40 1e +000 +00 Pff 12
14 Kitloop.2.Necros 40 0000 --- 01 [01] 40 2d -065 +00 Pff 13
15 Openhat.1.??? 40 0000 --- 01 [01] 40 40 +000 +00 Pff 14
16 FXPhase.1.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 15
17 FXPhase.2.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 16
18 FXPhase.3.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 17
19 FXPhase.4.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 18
1a FXPhase.5.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 19
1b FXPhase.6.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 1a
1c FXPhase.7.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 1b
1d FXPhase.8.??? 40 0000 --- 01 [01] 40 2d +000 +00 Pff 1c
1e GoodRez.1.??? 40 0000 --P 01 [01] 40 28 +000 +00 Pff 1d
1f RevCymb.1.??? 40 0000 --P 01 [01] 40 2d +000 +00 Pff 1e
20 Leadsnd.3.SC2 40 0000 --P 01 [01] 40 2d +000 +00 Pff 1f

> 1997.
>
> New year
>
> New Style
>
> New Outlook
>
> New level of tracking.
>
>
> This one took me forever folks. I put easily thirty hours just into the
> base creation of this song. Tack on another five or so hours working to
> make sure every effect fit, every pattern was unique in some way, every
> transition as smooth as I could possibly make it. This has a been a labor
> of complete and utter love, and I am more happy with this song than anyone
> listening to it will be able to imagine (or probably understand. I'm still
> no necros by any means).
>
> This is my second true "Jump" in tracking proficiency. "Aequor" was the
> first, and looking back on it now it startles me how much I still had to
> learn. Looking forward, it startles me how much is still left. This is
> the second song in my life that, upon it's basic completion, I have sat
> back and grinned like a complete idiot while listening to it.
>
> I have always tried to describe my writing to my friends (many of whom
> have tried their hands at it but none of whom equal the 1000+ pages that
> I've written). I've tried to describe how sitting back and reading over
> something you've written, you realize most of it is sub par. Most of it
> could use reworking, or at very least could have been pulled off better by
> someone with more talent or experience. But there are those few parts.
> Half a chapter, a couple of paragraphs, maybe just a single sentence, that
> when you re-read them make you want to dance around the room, cackling
> like a madman. You said what you wanted to say, how you wanted to say it.
> You didn't just get the general idea across, no. You hit that fucker
> right on the head, and like that Karate Kid movie, all it took was one
> perfectly aimed strike with your "hammer" to drive it in deep and make it
> stay.
>
> Most of this song is like most of my writing. It's good enough to keep
> your interest, but nothing truly spectacular. But unlike any of my other
> songs, there are a few sections where I slammed that son of a bitch deep
> into that two by four. The part in the middle where I slow it down and
> then bring it back up to the original "verse" (altho kicked up a couple of
> steps) by using the echo-y lead thing...the part at the end where the
> melody comes in, you think there's another part, and it fades off,
> hopefully leaving the listener with the sense of continued adventure.
>
> Man that shit is great. Maybe not for you, but for me it rules because I
> COULDN'T DO IT BEFORE.
>
> I couldn't do it before, and now I'm starting to be able to. Tracking has
> gone from being a neat little thing that Rhythm Greene did, to something
> which has gradually taken over my life and now is probably the thing that
> I do that I enjoy the most. It's the most pure. Each song that I produce
> is like a child. Some of them are slow, some dull, some even outright
> boring, but I love every one of them with my entire soul. I love the
> scratchy, hissy sound of my SBpro doing a global volume fade over my 15
> dollar speakers. I love the fact that it's become a ritual for my Father
> and my 8 and 6 year old sisters to listen to a tape of my tunes every day
> while he drives them to daycare before school starts.
>
> And this song...god I only hope all the rest I do are at least as fun and
> wholly satisfying as this one was. To finally produce something I'm not
> only not ashamed of, but damn proud of...that's the best shit ever. This
> song is going to ftp.hornet.org, and it'll probably score 2.5 stars, as my
> songs seem to have a habit of doing (although now, a month after writing
> this note, Hornet has stopped rating incoming songs, so I suppose this
> point in particular is moot. :). I don't care. There are more talented
> musicians than me, and there always will be. Hell, one of my best friends
> in the world will probably always be a better tracker than me.
>
> I don't care. I just hope that all you people out there who track never
> give it up. Never lose the joy that comes with finishing a song that,
> even if no one else likes it, you love listening to. All you trackers out
> there who have been tracking three months and are beginning to realize you
> may not be the next necros or basehead, don't give up. In fact, don't
> even bother yourself with comparisons. It's a self defeatist attitude.
> Track because you love the art, or don't track at all. If you're tracking
> for any other reason, you're tracking for the wrong reasons.
>
> Sure it's cool to distribute your songs, get feedback, find out how Hornet
> rates you. I won't deny that. But the basic fact is, I would track even
> if there was no demoscene, no cdrom.com, no reviews, and no IRC. I would
> track because it brings me more joy than anything else I've yet to
> discover (those of you reading this and thinking `what about sex, eh?' can
> keep grinning, but you know what I mean. ;)
>
> In fact, when faced with the choice of a life without sex, or a life
> without tracking, I'd take a damn long time deliberating. I'm not certain
> what my conclusion would be.
>
> Is that wierd?
>
> I love this art.
>
>
>
>
>
> incidentally, much thanks to Necros. I shamelessly borrowed his
> "Mechanism8" distortion samples. I like to think that I've used them in a
> manner different enough to warrant its own judegement. I'd also like to
> think that I've done them justice.
>
> God I have so much to learn.
>
> Shaithis - /Immortal Coil/
> shaithis@buffnet.net (semesters)
> shaithis@dreamscape.com (breaks)
> irc: neato.org #immortal, #trax, #pixel
>
>
> --Notice-Of-Copyright------------------------------------------------------
>
> This song is copyright 1996 Christopher Buecheler. Under current US
> copyright law, because I have recieved no monetary compensation for this
> song, it is considered "unpublished" and as such is legally copyrighted to
> the author. The samples used within this song were freely distributed by
> their author's and thus are considered "in the public domain". I do not
> take creation or copyright credit for these samples, only for the
> construction of the song that uses them.
>
> This song may be freely distributed through the following means:
>
> 1) Personal Transfer via disk, phone line, cable, internet, bulletin
> boards, or any other method, so long as no fee is charged.
>
> 2) Impersonal Transfer via FTP, Bulletin Board, or any other method so
> long as no fee is charged.
>
> 3) Any cdrom produced by Walnut Creek or Hornet, whether or not a fee is
> charged.
>
> If you would like to you this song or other music written by myself in a
> commercial or shareware production, compilation cd-rom, or any other
> method not stated above, please contact me before doing so. It is likely
> that things can be worked out.
>
> --End-Of-Notice------------------------------------------------------------
>
> .

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