File "forgive and forget xmas96.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
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Loading modland.com/pub/modules/Impulsetracker/Vegas/forgive and forget xmas96.it (1 of 1)
Module name : Forgive and Forget,xmas96
Module type : Impulse Tracker 2.14 IT 2.02
Module length: 22 patterns
Patterns : 21
Instruments : 21
Samples : 41
Channels : 22 [ 7 7 9 8 8 8 8 8 9 8 6 7 8 8 8 8 8 8 8 8 8 8 ]
Duration : 2min49s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 Harpsi 40 2000 A-P 01 [01] 40 18 +127 +16 Pff 00
02 TouchWood, Pan 1 40 0780 --P 01 [01] 40 12 -116 -02 Pff 01
03 TouchWood, Pan 2 40 0780 --P 01 [01] 40 12 -116 -02 Pff 01
04 Violin, Pan 1 40 1540 --P 01 [01] 40 28 -120 -03 Pff 02
05 Violin, Pan 2 40 1540 --P 01 [01] 40 28 -120 -03 Pff 02
06 Violin, Pan 3 40 1540 --P 01 [01] 40 28 -120 -03 Pff 02
07 Violin, Pan 4 40 1540 --P 01 [01] 40 28 -120 -03 Pff 02
08 Bass, Pan 1 40 0000 --P 01 [01] 40 40 +106 +25 Pff 03
09 Bass, Pan 2 40 0000 --P 01 [01] 40 40 +106 +25 Pff 03
0a Flute, Slow Fade 40 1040 --- 01 [01] 40 3a +023 +00 Pff 04
0b Flute, Quick Fade 40 18c0 --P 01 [01] 40 3a +023 +00 Pff 04
0c Cello 40 1180 --P 01 [01] 40 0c +021 +09 P80 05
0d Chime 40 0780 --P 01 [01] 40 23 +075 +21 Pff 06
0e Vangelis Snare 40 0a00 --P 01 [01] 40 40 +000 +00 Pff 07
0f Snare 40 0000 A-P 01 [01] 40 2c +100 +35 P80 08
10 bd 40 0000 --P 01 [01] 40 40 +100 +28 P80 09
11 Tom Tom 40 0000 --P 01 [01] 40 40 +100 +16 Pff 0a
12 Stick 40 0000 --P 01 [01] 40 30 +100 +28 P80 0b
13 Sleigh Bells 40 03c0 --P 01 [01] 40 40 +000 +00 Pff 0c
14 15" Crash 40 0000 --P 01 [01] 40 40 +100 +16 P70 0d
15 Slow Attack Cym 40 0000 --P 01 [01] 40 40 +100 +16 P80 0e

> DiGiTaLuS member version only:
>
> For your reference, the progressions and keys are as follows:
>
> Order 1: Intro, the last 2 measures of the following progression.
> Orders 2-5: D# Diminished
> I, IV, III, II
> I - D#dim7th
> IV - G#min7th
> III - F#min7th
> II - Emaj+8
>
> Order 6: Two-measure bridge down
> to Order 7. Still in D# Diminished
> key, I play a measure of the II chord,
> Emaj+8, followed by a measure of the
> VII chord, C#min+8, so as to lead into
> the key of B major.
>
> Orders 7-10: B Major
> I, IV, I, II
> I - Bmaj7th
> IV - Emaj7th
> I - Bmaj7th
> II - C#min+8
>
> Order 11: A variaton on the order 7-10 progression, to help lead into
> the new key in order 12, E major.
> I, IV, I, V
> I - Bmaj7th
> IV - Emaj7th
> I - Bmaj7th
> V - F#maj+8
>
> Orders 12&13: E major
> I, IV, I, II
> I - Emaj+8
> IV - Amaj7th
> I - Emaj+8
> II - F#min+8
>
> Order 14: Once again, a variation of the old progression to lead into the
> next key, C# minor.
> I, IV, I, VII
> I - Emaj+8
> IV - Amaj7th
> I - Emaj+8
> VII - D#dim7th
>
> Orders 15-20: C# minor. I think this is the strongest part of the song.
> Notice how by playing the I chord as a 7th chord, and then the VII chord
> below it as a +8 chord, they both end in B, and the following 7th chord
> creates an interesting contrast. Solo out channels 1-4 and check it out.
> I, VII, VI, VI
> I - C#min7th
> VII - Bmin+8
> VI - Amaj7th
> Rows 48+ are just a lead-in to the I.
> .

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