File "learn to love.it"

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Extended Module Player 4.1.0
Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
Using null output
Mixer set to 44100 Hz, 16bit, cubic spline interpolated stereo
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Loading modland.com/pub/modules/Impulsetracker/Ozone/learn to love.it (1 of 1)
Module name : learn to love (coven's)
Module type : Impulse Tracker 2.14v3 IT 2.00
Module length: 45 patterns
Patterns : 41
Instruments : 42
Samples : 42
Channels : 48 [ 8 8 8 8 8 8 8 8 8 8 8 8 4 c 0 f 8 8 8 8 8 8 0 f 8 8 8 8 5 a 4 c 4 c 4 c 4 c 4 c 6 9 8 8 4 c c 4 ]
Duration : 4min59s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 kick.L 2e 0000 --- 01 [01] 40 40 +100 +28 P00 00
02 kick.R 2e 0000 --- 01 [01] 40 40 +100 +28 P00 01
03 bass.L 31 0000 A-- 01 [01] 40 40 +005 +07 P00 02
04 bass.R 31 0000 A-- 01 [01] 40 40 +005 +07 P00 03
05 vocoder-choir.L 0a 0000 A-- 01 [01] 40 40 +079 +11 P00 04
06 vocoder-choir.R 0a 0000 A-- 01 [01] 40 40 +079 +11 P00 05
07 mechanic-choir 12 0000 A-- 01 [01] 40 40 +032 +30 Pff 06
08 brightpiano 2f 3200 A-- 05 [01] 40 40 +026 +15 P90 07
[02] 40 40 +031 +17 P8c 08
[03] 40 40 +055 +23 P80 09
[04] 40 40 +050 +23 P80 0a
[05] 32 40 +109 +24 P80 0b
09 grandpno.quiet-attack 2b 3200 A-- 05 [01] 40 40 +026 +15 P90 07
[02] 40 40 +031 +17 P8c 08
[03] 40 40 +055 +23 Pff 09
[04] 40 40 +050 +23 Pff 0a
[05] 32 40 +109 +24 Pff 0b
0a grandpno.compress-attack 2b 3200 A-- 05 [01] 40 40 +026 +15 P90 07
[02] 40 40 +031 +17 P8c 08
[03] 40 40 +055 +23 Pff 09
[04] 40 40 +050 +23 Pff 0a
[05] 32 40 +109 +24 Pff 0b
0b grandpno 2b 3200 A-- 05 [01] 40 40 +026 +15 P90 07
[02] 40 40 +031 +17 P8c 08
[03] 40 40 +055 +23 Pff 09
[04] 40 40 +050 +23 Pff 0a
[05] 32 40 +109 +24 Pff 0b
0d shaker 07 0000 --- 01 [01] 40 40 +100 +28 Pff 0c
0e 909-hihat.pseudo-pedal 22 0000 A-- 01 [01] 40 40 +100 +29 P60 0d
0f 909-hihat.open 39 0000 A-- 01 [01] 40 40 +100 +29 P60 0d
10 acid-juno.closed-filter 1b 0000 A-- 01 [01] 40 40 +112 +21 Pff 0f
11 acid-juno.delta-filter 1b 0000 A-- 01 [01] 40 40 +112 +21 Pff 0f
12 acid-juno.open-filter 1b 0000 A-- 01 [01] 40 40 +112 +21 Pff 0f
13 808-claps 31 0000 AF- 01 [01] 40 40 +077 +17 Pff 12
14 909-snare.cut 28 0000 A-- 01 [01] 40 21 +100 +28 Pff 13
15 909-snare.full 28 0000 --- 01 [01] 40 21 +100 +28 Pff 13
16 bonga-1 28 0000 A-- 01 [01] 40 40 +092 +22 P90 15
17 bonga-3 28 0000 A-- 01 [01] 40 40 +092 +22 P90 16
18 bonga-5 28 0000 A-- 01 [01] 40 40 +092 +22 P90 17
19 bonga-6 28 0000 A-- 01 [01] 40 40 +092 +22 P90 18
1a 909-crash 21 0000 --- 01 [01] 40 40 +089 +22 Pff 19
1b loop.go.L 34 0000 --- 01 [01] 40 40 +045 +14 P00 1a
1c loop.go.R 34 0000 --- 01 [01] 40 40 +045 +14 P00 1b
1d loop.go.reverse.L 20 0000 --- 01 [01] 40 40 +103 +12 P00 1c
1e loop.go.reverse.R 20 0000 --- 01 [01] 40 40 +103 +12 P00 1d
1f marcato strings 14 2000 A-- 01 [01] 40 40 +102 +22 Pff 1e
20 smoothbell.L 09 0000 A-- 01 [01] 40 40 +007 +13 P00 1f
21 smoothbell.R 09 0000 A-- 01 [01] 40 40 +007 +13 P00 20
22 distortion-guitar.1 0a 0000 A-- 02 [01] 40 40 +059 +21 Pff 21
[02] 40 40 +009 +18 Pff 22
24 distortion-guitar.2 0f 0000 A-- 03 [01] 40 40 +119 +21 Pff 23
[02] 40 40 +119 +21 Pff 24
28 Press Shift-F9 in 40 0000 --- 00 [ ] -- -- ---- --- --- --
29 Impulse Tracker for 40 0000 --- 00 [ ] -- -- ---- --- --- --
2a song message. 40 0000 --- 00 [ ] -- -- ---- --- --- --

> "Learn to Love (Find thy Salvation)" (Coven's Edit)
> Copyright (C) 1998 Andre Pang, a.k.a. Ozone of Vault
> Running Time: 4m 59s
>
> Requires an IT replayer with resonance filter support - 57 channels max.
>
>
> # Songtext #
>
> I'm the kind of person who tends to scoff at things like "Love
> song dedications" on radio stations, and yet I always seem to go into big
> D&M rambles in small things such as song messages. After a little while,
> I think I figured out why I do this.
>
> I want myself to be _heard_. (And yes, I'm just as selfish as you
> are, so you damn well listen to me!) ;-).
>
> And I'd like to start off by saying this.
>
> As we go through life, we grow and mature, and hopefully each day
> we'll be a little bit wiser than a previous one. It's an old saying that
> the only thing that never changes is change itself; some changes will be
> as small as knowing one more useless piece of trivia, and yet others will
> shatter boundaries and make yourself rethink about who you are.
>
> In the change that has been my entire life, there have been many
> people who have guided me through the most trying times. Friends, even
> best of friends, can come and go, but the following people have always
> amazed me with their strength, courage, faithfulness and ideals, and they
> have always been there for me. *Always*.
>
> My parents, Henry & Virginia
> My brother Jason
> My virtual sister, Linda Lokhee
> Benjamin Leung
> Andrew Justin Chia
> Stephen Fischer
> Nick Bender
> David Chadwick
> Yannis J. Brown
> Jeffrey and Zoe Lim
> Tracy Goh
>
> If you know any of these guys, feel proud. They're among the best
> humans to walk on the planet.
>
> Now, the trivia for you dorks out there ;-). The patterndata is
> completely original (as you'd hope). Most of the samples are mine;
> the ones which aren't have been indicated.
>
> I used Sound Forge 4.0 to do the majority of my sample editing,
> and the module creation was done using IT 2.15 on a Gravis UltraSound PnP.
> I think the guitars are a little bit wasted in this; they're fantastic
> samples, but unfortunately (or fortunately, as it may be; most people seem
> to loathe my cheesy guitar riffs) you don't hear much of them. Oh well,
> somebody else rip them and make better use of 'em! :). I have many
> musical influences, but in particular, I'd like to publicly thank Andrew
> Fort, Mick Rippon and Yannis Brown for their musical guidance over the
> years, as well as Jeffrey Lim (again) for the phenomenal Impulse Tracker,
> without which I would never have had this creativity unleashed.
>
> Of course, I can't escape the normal greetings factor, so, apart
> from the people already mentioned (you guys just rock), I'd like to send
> special greetings to the Australian musicscene & demoscene, all the
> awesome folks at Emergent Software, all the really cool people I met on my
> '97 world trip (you guys know who you are!), and of course all my other
> friends. If in doubt, you've been greeted :D.
>
> This will probably end up being the last mod I'm releasing to the
> scene (yeah right). I wasn't actually going to release it initially, but
> it grew into a track too important for me not to keep under wraps. It's
> been worked on for several months, and (unusual for me), it wasn't
> inspired by a loose combination of riffs in my head, nor was it derived
> from ideas in other songs. This leads me on to the last thing I want to
> say ...
>
> [dork.mode.on]
>
> This entire song would not exist without the inspiration Purdey
> Collier has given me. The way the song flows is exactly the way I wrote
> it, and I almost always worked on it when I was at emotional extremes, or
> after seeing her or talking to her. This piece is hers as much as it is
> mine (yeah! So send any flame-mail to her too! :), and I can't think of a
> anybody more special to me to dedicate this tune to. Purdey, this is for
> you; it's been inspired by you, it has been written for you from the very
> beginning, and may you find inspiration, salvation, comfort, hope, and
> maybe even some happiness in this song :). *hug* I love you! xxxxx
> (recursive) ;)
>
> All my love,
> Andre.
>
> [dork.mode.off]
>
> Right.
>
> Contact thingies:
>
> Andre Pang
> PO Box 494
> Roseville, NSW 2069
> Australia
>
> ozone@fl.net.au
>
> http://www.mindflux.com.au/ozone/
>
> Anyway, thanks for reading this, and I hope you like the song. If
> you do like it, please e-mail me; you would not believe how much musicians
> appreciate an e-mail from time to time :).
>
> Later kids,
> #ozone/vault
>
> June 30, 1998.
>
>
> # Legalities #
>
> This Impulse Tracker module (referred to as the 'Program') is
> distributed under the General Public License. You may obtain a copy of
> the License on the Internet at http://www.gnu.org/copyleft/gpl.html.
>
> In addition to the terms & conditions for copying, distribution
> and modification set by the License; you may not perform a commercial
> broadcast of this song without prior written permission from the author.
> Non-commercial broadcast of this music is allowed, provided you clearly
> state the author and origin of the song.
> .

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