File "funkygetten x-tal remix.it"

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Copyright (C) 1996-2016 Claudio Matsuoka and Hipolito Carraro Jr
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Loading modland.com/pub/modules/Impulsetracker/Psysal/funkygetten x-tal remix.it (1 of 1)
Module name : Funkygetten X-tal Remix
Module type : Impulse Tracker 2.14v3 IT 2.16
Module length: 85 patterns
Patterns : 81
Instruments : 99
Samples : 99
Channels : 24 [ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ]
Duration : 5min55s
Instruments:
Instrument name Vl Fade Env Ns Sub Gv Vl Fine Xpo Pan Sm
01 chorused piano y 40 0800 -FP 01 [01] 40 40 +009 +12 P80 00
02 piano scrap 1 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 01
03 piano scrap 2 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 02
04 piano scrap 3 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 03
05 piano scrap 4 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 04
06 piano scrap 5 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 05
07 piano scrap 6 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 06
08 piano scrap 7 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 07
09 piano scrap 8 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 08
0a piano scrap 9 40 0c00 --- 01 [01] 40 40 +100 +28 Pff 09
0b 202 wide thang p 40 0400 --- 01 [01] 40 40 +100 +16 Pff 0a
0c sub bd shallow b 40 0800 --- 01 [01] 40 40 +039 +03 Pff 0b
0d sub bd deep b 40 0800 --- 01 [01] 40 40 +000 +00 Pff 0c
0e dirt cym shall b 40 0000 --- 01 [01] 32 40 +100 +16 Pff 0d
0f dirt cym deep b 40 0800 --- 01 [01] 40 40 +100 +16 Pff 0e
10 rock bd b 40 0000 --- 01 [01] 40 40 +000 +00 Pff 0f
11 rock snare b 40 0000 --- 01 [01] 40 40 +091 +10 Pff 10
12 baby snare y 40 0000 --- 01 [01] 40 40 +009 +24 Pff 11
13 808 crash p 40 0000 --- 01 [01] 40 40 +100 +28 Pff 12
14 808 claps p 40 0000 --- 01 [01] 40 40 +100 +28 Pff 13
15 808 open hihat p 40 0000 --- 01 [01] 40 40 +100 +28 Pff 14
16 808 closed hihat p 40 0000 --- 01 [01] 40 40 +100 +28 Pff 15
17 da funkay getten 40 0000 --P 01 [01] 40 40 +100 +28 Pff 16
18 lo piano b 40 0800 --- 01 [01] 40 40 +127 +04 P80 17
19 hi piano b 40 0800 --- 01 [01] 40 40 +012 +09 Pff 18
1a 202 bass mother 3 p 40 0000 --- 01 [01] 40 40 +100 +16 Pff 19
1b starry hum m 40 0280 --- 01 [01] 40 40 +095 +16 Pff 1a
1c magic distortion 40 0400 --- 01 [01] 40 40 +100 +31 Pff 1b
1d led zeppelin vocal 40 0c00 --- 01 [01] 40 40 +100 +04 Pff 1c
1e chorused piano hipan 40 0800 -FP 01 [01] 40 40 +009 +12 P80 00
20 y - yakra 40 0000 --- 00 [ ] -- -- ---- --- --- --
21 p - various sample packs 40 0000 --- 00 [ ] -- -- ---- --- --- --
22 b - beek 40 0000 --- 00 [ ] -- -- ---- --- --- --
23 m - purple motion 40 0000 --- 00 [ ] -- -- ---- --- --- --
63 MEGAMAN2.WAV 40 0000 --- 01 [01] 40 40 +000 +00 Pff 62

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> Wood Man
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> Funkygetten X-tal Remix
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> by
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> PsySal // SSTRAX et N-Gen
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> 00:05:54
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> For those of you who want to know, here is
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> what this tune is all about. I have been
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> writing forcefully, aggressively, for the
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> past 6 to 8 months. While I have learned
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> a lot, most of what I have written over
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> that time makes me rather vomitous. Now
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> with this tune I have finally exorcised
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> this demon. It's a remix of a decent tune
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> I made last week, which I did generally
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> like but was quite short (00:00:48). So
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> I decided to do an extendamix release of
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> it to make it worth your download time.
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> This is that remix. The music itself is
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> fine, it's just been mistreated. I don't
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> let ideas grow and live, I beat them down
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> relentlessly. This is my whole problem
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> for the past while. I will no longer do
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> this, I have found a way out, back to
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> writing how I want to write. Or I hope
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> so at least.
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> This is the first N-Gen release too, I
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> think. Why release a tune that I hate?
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> I'm not sure, it's all part of the process
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> I think.
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> I'm only making this a big deal here for
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> my own benefit, so please don't think I'm
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> imposing on you or anything, and I don't
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> mean for this to cause you trouble or
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> anything, actually I removed a passage
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> that I think will bother some people. The
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> whole problem is I try too hard, I need
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> to enjoy myself more. So that's just
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> exactly what I'm going to do!
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> P.S.: To whoever reads this, I am really
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> nowhere near this anal in real life, I
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> promise..

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